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Henry James
Henry James (1843-1916) was an American author known for his contributions to 19th-century literary realism and modernism. His works often explore themes of consciousness and perception, with notable novels including "The Portrait of a Lady," "The Turn of the Screw," and "The Wings of the Dove." James is celebrated for his intricate prose style and deep psychological insight into his characters.
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Henry James
LOUIS AGASSIZ[1] It would be unnatural to have such an assemblage as this meet in the Museum and Faculty Room of this University and yet have no public word spoken in honor of a name which must be silently present to the minds of all our visitors. At some near future day, it is to be hoped some one of you who is well acquainted with Agassiz's scientific career will discourse here concerning...
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Henry James
I The view from the terrace at Saint-Germain-en-Laye is immense and famous. Paris lies spread before you in dusky vastness, domed and fortified, glittering here and there through her light vapours and girdled with her silver Seine. Behind you is a park of stately symmetry, and behind that a forest where you may lounge through turfy avenues and light-chequered glades and quite forget that you are within...
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Henry James
CHAPTER I. He had a mortal dislike, poor Stransom, to lean anniversaries, and loved them still less when they made a pretence of a figure. Celebrations and suppressions were equally painful to him, and but one of the former found a place in his life. He had kept each year in his own fashion the date of Mary Antrim’s death. It would be more to the point perhaps to say that this occasion kept...
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Henry James
I If the author of this meandering record has noted elsewhere that an event occurring early in 1870 was to mark the end of his youth, he is moved here at once to qualify in one or two respects that emphasis. Everything depends in such a view on what one means by one's youth—so shifting a consciousness is this, and so related at the same time to many different matters. We are never old, that is...
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Henry James
IT was an occasion, I felt—the prospect of a large party—to look out at the station for others, possible friends and even possible enemies, who might be going. Such premonitions, it was true, bred fears when they failed to breed hopes, though it was to be added that there were sometimes, in the case, rather happy ambiguities. One was glowered at, in the compartment, by people who on the morrow,...
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Henry James
"Olive will come down in about ten minutes; she told me to tell you that. About ten; that is exactly like Olive. Neither five nor fifteen, and yet not ten exactly, but either nine or eleven. She didn't tell me to say she was glad to see you, because she doesn't know whether she is or not, and she wouldn't for the world expose herself to telling a fib. She is very honest, is Olive...
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Henry James
"I say, you know, Kate—you did stay!" had been Merton Densher's punctual remark on their adventure after they had, as it were, got out of it; an observation which she not less promptly, on her side, let him see that she forgave in him only because he was a man. She had to recognise, with whatever disappointment, that it was doubtless the most helpful he could make in this character. The...
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Henry James
THE WINGS OF THE DOVE She waited, Kate Croy, for her father to come in, but he kept her unconscionably, and there were moments at which she showed herself, in the glass over the mantel, a face positively pale with the irritation that had brought her to the point of going away without sight of him. It was at this point, however, that she remained; changing her place, moving from the shabby sofa to the...
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Henry James
"NO, my lord," Banks had replied, "no stranger has yet arrived. But I'll see if any one has come in—or who has." As he spoke, however, he observed Lady Sandgate's approach to the hall by the entrance giving upon the great terrace, and addressed her on her passing the threshold. "Lord John, my lady." With which, his duty majestically performed, he retired to the...
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Henry James
I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that...
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