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Henry Francis Cary
Henry Francis Cary was an English author and translator best known for his influential translation of Dante's "Divine Comedy," published in 1814. His translation, notable for its use of blank verse, made Dante's work accessible to English-speaking audiences and received widespread acclaim, particularly after a favorable review by Samuel Taylor Coleridge. Cary's contributions to literature also include his roles as a literary critic and a clergyman, reflecting his deep engagement with both literary and religious spheres.
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CANTO III "THROUGH me you pass into the city of woe:Through me you pass into eternal pain:Through me among the people lost for aye.Justice the founder of my fabric mov'd:To rear me was the task of power divine,Supremest wisdom, and primeval love.Before me things create were none, save thingsEternal, and eternal I endure. "All hope abandon ye who enter here." Such characters in colour...
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CANTO I IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismayRenews, in bitterness not far from death.Yet to discourse of what there good befell,All else will I relate discover'd there.How first I enter'd it I...
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CANTO XXIII IN silence and in solitude we went,One first, the other following his steps,As minor friars journeying on their road. The present fray had turn'd my thoughts to museUpon old Aesop's fable, where he toldWhat fate unto the mouse and frog befell.For language hath not sounds more like in sense,Than are these chances, if the originAnd end of each be heedfully compar'd.And as one...
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CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less. In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow....
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CANTO XV True love, that ever shows itself as clearIn kindness, as loose appetite in wrong,Silenced that lyre harmonious, and still'dThe sacred chords, that are by heav'n's right handUnwound and tighten'd, flow to righteous prayersShould they not hearken, who, to give me willFor praying, in accordance thus were mute?He hath in sooth good cause for endless grief,Who, for the love of...
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CANTO XI "O thou Almighty Father, who dost makeThe heavens thy dwelling, not in bounds confin'd,But that with love intenser there thou view'stThy primal effluence, hallow'd be thy name:Join each created being to extolThy might, for worthy humblest thanks and praiseIs thy blest Spirit. May thy kingdom's peaceCome unto us; for we, unless it come,With all our striving thither...
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CANTO I O'er better waves to speed her rapid courseThe light bark of my genius lifts the sail,Well pleas'd to leave so cruel sea behind;And of that second region will I sing,In which the human spirit from sinful blotIs purg'd, and for ascent to Heaven prepares. Here, O ye hallow'd Nine! for in your trainI follow, here the deadened strain revive;Nor let Calliope refuse to soundA...
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CANTO XIX It was the hour, when of diurnal heatNo reliques chafe the cold beams of the moon,O'erpower'd by earth, or planetary swayOf Saturn; and the geomancer seesHis Greater Fortune up the east ascend,Where gray dawn checkers first the shadowy cone;When 'fore me in my dream a woman's shapeThere came, with lips that stammer'd, eyes aslant,Distorted feet, hands maim'd, and...
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PARADISE Canto 1 - 33 CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less. In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory...
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CANTO XXXII COULD I command rough rhimes and hoarse, to suitThat hole of sorrow, o'er which ev'ry rockHis firm abutment rears, then might the veinOf fancy rise full springing: but not mineSuch measures, and with falt'ring awe I touchThe mighty theme; for to describe the depthOf all the universe, is no emprizeTo jest with, and demands a tongue not us'dTo infant babbling. But let...
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