Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 47
- Bibles 22
- Biography & Autobiography 811
- Body, Mind & Spirit 110
- Business & Economics 26
- Computers 4
- Cooking 94
- Crafts & Hobbies 3
- Drama 346
- Education 45
- Family & Relationships 50
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 39
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 62
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 488
- Science 126
- Self-Help 61
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Henry Francis Cary
Henry Francis Cary was an English author and translator best known for his influential translation of Dante's "Divine Comedy," published in 1814. His translation, notable for its use of blank verse, made Dante's work accessible to English-speaking audiences and received widespread acclaim, particularly after a favorable review by Samuel Taylor Coleridge. Cary's contributions to literature also include his roles as a literary critic and a clergyman, reflecting his deep engagement with both literary and religious spheres.
Author's Books:
Sort by:
LIVES OF ENGLISH POETS. * * * * * SAMUEL JOHNSON. There is, perhaps, no one among our English writers, who for so great a part of his life has been an object of curiosity to his contemporaries as Johnson. Almost every thing he said or did was thought worthy of being recorded by some one or other of his associates; and the public were for a time willing to listen to all they had to say of him. A mass of...
more...
CANTO III "THROUGH me you pass into the city of woe:Through me you pass into eternal pain:Through me among the people lost for aye.Justice the founder of my fabric mov'd:To rear me was the task of power divine,Supremest wisdom, and primeval love.Before me things create were none, save thingsEternal, and eternal I endure. "All hope abandon ye who enter here." Such characters in colour...
more...
CANTO I IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismayRenews, in bitterness not far from death.Yet to discourse of what there good befell,All else will I relate discover'd there.How first I enter'd it I...
more...
CANTO XXIII IN silence and in solitude we went,One first, the other following his steps,As minor friars journeying on their road. The present fray had turn'd my thoughts to museUpon old Aesop's fable, where he toldWhat fate unto the mouse and frog befell.For language hath not sounds more like in sense,Than are these chances, if the originAnd end of each be heedfully compar'd.And as one...
more...
CANTO XVIII THERE is a place within the depths of hellCall'd Malebolge, all of rock dark-stain'dWith hue ferruginous, e'en as the steepThat round it circling winds. Right in the midstOf that abominable region, yawnsA spacious gulf profound, whereof the frameDue time shall tell. The circle, that remains,Throughout its round, between the gulf and baseOf the high craggy banks,...
more...
CANTO VII "AH me! O Satan! Satan!" loud exclaim'dPlutus, in accent hoarse of wild alarm:And the kind sage, whom no event surpris'd,To comfort me thus spake: "Let not thy fearHarm thee, for power in him, be sure, is noneTo hinder down this rock thy safe descent."Then to that sworn lip turning, "Peace!" he cried, "Curs'd wolf! thy fury inward on thyselfPrey,...
more...
CANTO XIII ERE Nessus yet had reach'd the other bank,We enter'd on a forest, where no trackOf steps had worn a way. Not verdant thereThe foliage, but of dusky hue; not lightThe boughs and tapering, but with knares deform'dAnd matted thick: fruits there were none, but thornsInstead, with venom fill'd. Less sharp than these,Less intricate the brakes, wherein abideThose animals, that...
more...
CANTO V FROM the first circle I descended thusDown to the second, which, a lesser spaceEmbracing, so much more of grief containsProvoking bitter moans. There, Minos standsGrinning with ghastly feature: he, of allWho enter, strict examining the crimes, Gives sentence, and dismisses them beneath,According as he foldeth him around:For when before him comes th' ill fated soul,It all confesses; and...
more...
CANTO IX THE hue, which coward dread on my pale cheeksImprinted, when I saw my guide turn back,Chas'd that from his which newly they had worn,And inwardly restrain'd it. He, as oneWho listens, stood attentive: for his eyeNot far could lead him through the sable air,And the thick-gath'ring cloud. "It yet behoovesWe win this fight"—thus he began—"if not—Such aid to us...
more...
CANTO I IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismayRenews, in bitterness not far from death.Yet to discourse of what there good befell,All else will I relate discover'd there.How first I enter'd it I...
more...