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by:
Gilbert Parker
CHAPTER I. AS THE SPIRIT MOVED The village lay in a valley which had been the bed of a great river in the far-off days when Ireland, Wales and Brittany were joined together and the Thames flowed into the Seine. The place had never known turmoil or stir. For generations it had lived serenely. Three buildings in the village stood out insistently, more by the authority of their appearance and position...
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by:
Gilbert Parker
CHAPTER I The music throbbed in a voice of singular and delicate power; the air was resonant with melody, love and pain. The meanest Italian in the gallery far up beneath the ceiling, the most exalted of the land in the boxes and the stalls, leaned indulgently forward, to be swept by this sweet storm of song. They yielded themselves utterly to the power of the triumphant debutante who was making...
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by:
Gilbert Parker
INTRODUCTION TO THE IMPERIAL EDITION It was in the winter of 1892, when on a visit to French Canada, that I made up my mind I would write the volume which the public knows as 'The Seats of the Mighty,' but I did not begin the composition until early in 1894. It was finished by the beginning of February, 1895, and began to appear in 'The Atlantic Monthly' in March of that year. It...
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by:
Gilbert Parker
CHAPTER I You could not call the place a village, nor yet could it be called a town. Viewed from the bluff, on the English side of the river, it was a long stretch of small farmhouses—some painted red, with green shutters, some painted white, with red shutters—set upon long strips of land, green, yellow, and brown, as it chanced to be pasture land, fields of grain, or "plough-land." These...
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by:
Gilbert Parker
I "YORK FACTORY, HUDSON'S BAY,"23rd September, 1747. "MY DEAR COUSIN FANNY,—It was a year last April Fool's Day, I left you on the sands there at Mablethorpe, no more than a stone's throw from the Book-in-Hand Inn, swearing that you should never see me or hear from me again. You remember how we saw the coast-guards flash their lights here and there, as they searched the...
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by:
Gilbert Parker
"What has thee come to say?" Sitting in his high-backed chair, Luke Claridge seemed a part of its dignified severity. In the sparsely furnished room with its uncarpeted floor, its plain teak table, its high wainscoting and undecorated walls, the old man had the look of one who belonged to some ancient consistory, a judge whose piety would march with an austerity that would save a human soul by...
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by:
Gilbert Parker
INTRODUCTION 'A Lover's Diary' has not the same modest history as 'Embers'. As far back as 1894 it was given to the public without any apology or excuse, but I have been apologising for it ever since, in one way—without avail. I wished that at least one-fifth of it had not been published; but my apology was never heard till now as I withdraw from this edition of A...
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by:
Gilbert Parker
CHAPTER I. "Why don't she come back, father?" The man shook his head, his hand fumbled with the wolfskin robe covering the child, and he made no reply. "She'd come if she knew I was hurted, wouldn't she?" The father nodded, and then turned restlessly toward the door, as though expecting some one. The look was troubled, and the pipe he held was not alight, though he made a...
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by:
Gilbert Parker
CHAPTER I. THE WAY TO THE VERDICT "Not guilty, your Honour!" A hundred atmospheres had seemed pressing down on the fretted people in the crowded court-room. As the discordant treble of the huge foreman of the jury squeaked over the mass of gaping humanity, which had twitched at skirts, drawn purposeless hands across prickling faces, and kept nervous legs at a gallop, the smothering weights of...
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