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CHAPTER I Bath House, the most ambitious structure ever erected in the West Indies, and perhaps the most beautiful hotel the world has ever seen, was the popular winter refuge of English people of fashion in the earlier half of the nineteenth century. This immense irregular pile of masonry stood on a terraced eminence rising from the flat border of Nevis, a volcano whose fires had migrated to less...
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WHAT DREAMS MAY COME. THE OVERTURE. Constantinople; the month of August; the early days of the century. It was the hour of the city's most perfect beauty. The sun was setting, and flung a mellowing glow over the great golden domes and minarets of the mosques, the bazaars glittering with trifles and precious with elements of Oriental luxury, the tortuous thoroughfares with their motley throng, the...
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I 1 Countess Gisela Niebuhr sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal...
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THE PEARLS OF LORETO I Within memory of the most gnarled and coffee-coloured Montereño never had there been so exciting a race day. All essential conditions seemed to have held counsel and agreed to combine. Not a wreath of fog floated across the bay to dim the sparkling air. Every horse, every vaquero, was alert and physically perfect. The rains were over; the dust was not gathered. Pio Pico,...
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I. It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada. Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Doña Martina, his wife. She arrived the morning before the christening, and no one thought to tell...
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BOOK I If this little book reads more like a memoir than a systematic study of conditions, my excuse is that I remained too long in France and was too much with the people whose work most interested me, to be capable, for a long while, at any rate, of writing a detached statistical account of their remarkable work. In the first place, although it was my friend Owen Johnson who suggested this visit to...
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