George Washington Cable

CHAPTER I. The main road to wealth in New Orleans has long been Carondelet street. There you see the most alert faces; noses—it seems to one—with more and sharper edge, and eyes smaller and brighter and with less distance between them than one notices in other streets. It is there that the stock and bond brokers hurry to and fro and run together promiscuously—the cunning and the simple, the... more...

THE STEAMBOAT LEVEE Saturday, April, 1852. There was a fervor in the sky as of an August noon, although the clocks of the city would presently strike five. Dazzling white clouds, about to show the earliest flush of the sun's decline, beamed down upon a turbid river harbor, where the water was deep so close inshore that the port's unbroken mile of steamboat wharf nowhere stretched out into the... more...

I CARROLLTON GARDENS For the scene of this narrative please take into mind a wide quarter-circle of country, such as any of the pretty women we are to know in it might have covered on the map with her half-opened fan. Let its northernmost corner be Vicksburg, the famous, on the Mississippi. Let the easternmost be Mobile, and let the most southerly and by far the most important, that pivotal corner of... more...

I Next morning he saw her again. He had left his very new law office, just around in Bienville Street, and had come but a few steps down Royal, when, at the next corner below, she turned into Royal, toward him, out of Conti, coming from Bourbon. The same nine-year-old negro boy was at her side, as spotless in broad white collar and blue jacket as on the morning before, and carrying the same droll air... more...

I New Orleans, Dec. 1, 1860.—I understand it now. Keeping journals is for those who cannot, or dare not, speak out. So I shall set up a journal, being only a rather lonely young girl in a very small and hated minority. On my return here in November, after a foreign voyage and absence of many months, I found myself behind in knowledge of the political conflict, but heard the dread sounds of disunion... more...

CHAPTER I. AN OLD HOUSE. A few steps from the St. Charles Hotel, in New Orleans, brings you to and across Canal Street, the central avenue of the city, and to that corner where the flower-women sit at the inner and outer edges of the arcaded sidewalk, and make the air sweet with their fragrant merchandise. The crowd—and if it is near the time of the carnival it will be... more...

I RUTH AND GODFREY The old street, keeping its New England Sabbath afternoon so decently under its majestic elms, was as goodly an example of its sort as the late seventies of the century just gone could show. It lay along a north-and-south ridge, between a number of aged and unsmiling cottages, fronting on cinder sidewalks, and alternating irregularly with about as many larger homesteads that sat back... more...

"The dream of Pharaoh is one. The seven kine are seven years; and the seven good ears are seven years: the dream is one…. And for that the dream was doubled unto Pharaoh twice, it is because the thing is established."… In other words: Behind three or four subtitles and changes of time, scene, characters, this tale of strong hearts is one. And for that the tale is tripled or quadrupled unto... more...

CHAPTER I. Bayou Teche is the dividing line. On its left is the land of bayous, lakes, and swamps; on its right, the beautiful short-turfed prairies of Western Louisiana. The Vermilion River divides the vast prairie into the countries of Attakapas on the east and Opelousas on the west. On its west bank, at its head of navigation, lies the sorry little town of Vermilionville, near about which on the... more...

AN OLD HOUSE. A few steps from the St. Charles Hotel, in New Orleans, brings you to and across Canal street, the central avenue of the city, and to that corner where the flower-women sit at the inner and outer edges of the arcaded sidewalk, and make the air sweet with their fragrant merchandise. The crowd—and if it is near the time of the carnival it will be great—will follow Canal street. But you... more...