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George (George Augustus) Moore
George Augustus Moore (1852–1933) was an influential Irish novelist, short story writer, poet, art critic, and memoirist. He was known for his pioneering role in introducing naturalism to English literature, drawing inspiration from French literary realism, particularly the works of Émile Zola. Among his notable works are "Esther Waters," which addresses issues of poverty and single motherhood, and "Confessions of a Young Man," a semi-autobiographical novel that reflects his artistic journey and personal experiences.
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CHAP. I. It was at the end of a summer evening, long after his usual bedtime, that Joseph, sitting on his grandmother's knee, heard her tell that Kish having lost his asses sent Saul, his son, to seek them in the land of the Benjamites and the land of Shalisha, whither they might have strayed. But they were not in these lands, Son, she continued, nor in Zulp, whither Saul went afterwards, and...
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INTRODUCTION. Looking back over the twenty years since "Celibates" was first published I find that the George Moore of the earlier year is the George Moore of to-day. The novelist of 1895 and the novelist of 1915 are one and the same person. Each is really interested in himself; each is more concerned with how the world and its humanity appear to him than how they appear to the casual observer...
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I Dear little book, what shall I say about thee? Belated offspring of mine, out of print for twenty years, what shall I say in praise of thee? For twenty years I have only seen thee in French, and in this English text thou comest to me like an old love, at once a surprise and a recollection. Dear little book, I would say nothing about thee if I could help it, but a publisher pleads, and "No" is...
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I She stood on the platform watching the receding train. A few bushes hid the curve of the line; the white vapour rose above them, evaporating in the pale evening. A moment more and the last carriage would pass out of sight. The white gates swung forward slowly and closed over the line. An oblong box painted reddish brown and tied with a rough rope lay on the seat beside her. The movement of her back...
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CHAPTER ONE The thin winter day had died early, and at four o'clock it was dark night in the long room in which Mr. Innes gave his concerts of early music. An Elizabethan virginal had come to him to be repaired, and he had worked all the afternoon, and when overtaken by the dusk, he had impatiently sought a candle end, lit it, and placed it so that its light fell upon the jacks.... Only one more...
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I The lamp had not been wiped, and the room smelt slightly of paraffin. The old window-curtains, whose harsh green age had not softened, were drawn. The mahogany sideboard, the threadbare carpet, the small horsehair sofa, the gilt mirror, standing on a white marble chimney-piece, said clearly, 'Furnished apartments in a house built about a hundred years ago.' There were piles of newspapers,...
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SISTER TERESA As soon as Mother Philippa came into the parlour Evelyn guessed there must be serious trouble in the convent. "But what is the matter, Mother Philippa?" "Well, my dear, to tell you the truth, we have no money at all." "None at all! You must have some money." "As a matter of fact we have none, and Mother Prioress won't let us order anything from the...
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When Henry Vizetelly, that admirable scholar, historian, and journalist, was sent to prison for publishing Zola's novels mine were taken over by Walter Scott, and all were reprinted except "Spring Days." This book was omitted from the list of my acknowledged works, for public and private criticism had shown it no mercy; and I had lost faith in it. All the welcome it had gotten were a few...
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ÉPÎTRE DÉDICATOIRE 17 Août, 1905. MON CHER DUJARDIN, Il se trouve que je suis ÐÑ Paris en train de corriger mes épreuves au moment où vous donnez les dernières retouches au manuscrit de 'La Source du Fleuve Chrétien,' un beau titre—si beau que je n'ai pu m'empêcher de le 'chipper' pour le livre de Ralph Elles, un personnage de mon roman qui ne parait...
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APOLOGIA PRO SCRIPTIS MEIS [The APOLOGIA which follows needs, perhaps, a word of explanation, not to clear up Mr. Moore's text—that is as delightful, as irrelevantly definite, as paradoxically clear as anything this present wearer of the Ermine of English Literature has ever written—but to explain why it was written and why it is published. When the present publisher, who is hereinafter, in...
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