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George (George Augustus) Moore
George Augustus Moore (1852–1933) was an influential Irish novelist, short story writer, poet, art critic, and memoirist. He was known for his pioneering role in introducing naturalism to English literature, drawing inspiration from French literary realism, particularly the works of Émile Zola. Among his notable works are "Esther Waters," which addresses issues of poverty and single motherhood, and "Confessions of a Young Man," a semi-autobiographical novel that reflects his artistic journey and personal experiences.
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CHAPTER I It was a beautiful summer morning, and Rodney was out of his bed at six o'clock. He usually went for a walk before going to his studio, and this morning his walk had been a very pleasant one, for yesterday's work had gone well with him. But as he turned into the mews in which his studio was situated he saw the woman whom he employed to light his fire standing in the middle of the...
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MUSLIN I The convent was situated on a hilltop, and through the green garden the white dresses of the schoolgirls fluttered like the snowy plumage of a hundred doves. Obeying a sudden impulse, a flock of little ones would race through a deluge of leaf-entangled rays towards a pet companion standing at the end of a gravel-walk examining the flower she has just picked, the sunlight glancing along her...
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I In the sunset of his life a man often finds himself unable to put dates even upon events in which his sympathies were, and perhaps are still, engaged; all things seem to have befallen yesterday, and yet it cannot be less than three years since we were anxious to testify to our belief in the kindness and justice with which you had fulfilled your double duties in the Morning Post towards us and the...
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WHISTLER. I have studied Mr. Whistler and thought about him this many a year. His character was for a long time incomprehensible to me; it contained elements apparently so antagonistic, so mutually destructive, that I had to confess my inability to bring him within any imaginable psychological laws, and classed him as one of the enigmas of life. But Nature is never illogical; she only seems so, because...
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CHAPTER I Oaths, vociferations, and the slamming of cab-doors. The darkness was decorated by the pink of a silk skirt, the crimson of an opera-cloak vivid in the light of a carriage-lamp, with women's faces, necks, and hair. The women sprang gaily from hansoms and pushed through the swing-doors. It was Lubini's famous restaurant. Within the din was deafening. "What cheer,...
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APOLOGIA PRO SCRIPTIS MEIS [The APOLOGIA which follows needs, perhaps, a word of explanation, not to clear up Mr. Moore's text—that is as delightful, as irrelevantly definite, as paradoxically clear as anything this present wearer of the Ermine of English Literature has ever written—but to explain why it was written and why it is published. When the present publisher, who is hereinafter, in...
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ÉPÎTRE DÉDICATOIRE 17 Août, 1905. MON CHER DUJARDIN, Il se trouve que je suis ÐÑ Paris en train de corriger mes épreuves au moment où vous donnez les dernières retouches au manuscrit de 'La Source du Fleuve Chrétien,' un beau titre—si beau que je n'ai pu m'empêcher de le 'chipper' pour le livre de Ralph Elles, un personnage de mon roman qui ne parait...
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When Henry Vizetelly, that admirable scholar, historian, and journalist, was sent to prison for publishing Zola's novels mine were taken over by Walter Scott, and all were reprinted except "Spring Days." This book was omitted from the list of my acknowledged works, for public and private criticism had shown it no mercy; and I had lost faith in it. All the welcome it had gotten were a few...
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SISTER TERESA As soon as Mother Philippa came into the parlour Evelyn guessed there must be serious trouble in the convent. "But what is the matter, Mother Philippa?" "Well, my dear, to tell you the truth, we have no money at all." "None at all! You must have some money." "As a matter of fact we have none, and Mother Prioress won't let us order anything from the...
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I The lamp had not been wiped, and the room smelt slightly of paraffin. The old window-curtains, whose harsh green age had not softened, were drawn. The mahogany sideboard, the threadbare carpet, the small horsehair sofa, the gilt mirror, standing on a white marble chimney-piece, said clearly, 'Furnished apartments in a house built about a hundred years ago.' There were piles of newspapers,...
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