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Francis Hopkinson Smith
![Francis Hopkinson Smith](https://digilibraries-com.s3.eu-central-1.amazonaws.com/avatars/7303859e-f0a8-432d-9dff-f6d60eae17a2.jpg)
Francis Hopkinson Smith was an American author, artist, and engineer, born on October 23, 1838. He is best known for his engineering work on projects like the foundation of the Statue of Liberty and for his literary contributions, including novels like "Colonel Carter of Cartersville" and "Caleb West, Master Diver." Smith was also a talented painter and illustrator, frequently contributing to magazines and showcasing his artwork in various exhibitions.
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A KNIGHT OF THE LEGION OF HONOR It was in the smoking-room of a Cunarder two days out. The evening had been spent in telling stories, the fresh-air passengers crowding the doorways to listen, the habitual loungers and card-players abandoning their books and games. When my turn came,—mine was a story of Venice, a story of the old palace of the Barbarozzi,—I noticed in one corner of the room a man...
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I had left Sandy MacWhirter crooning over his smouldering wood fire the day Boggs blew in with news of the sale of Mac's two pictures at the Academy, and his reply to my inquiry regarding his future plans (vaguely connected with a certain girl in a steamer chair), "By the next steamer, my boy," still rang in my ears, but my surprise was none the less genuine when I looked up from my easel,...
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A short, square chunk of a man walked into a shipping office on the East Side, and inquired for the Manager of the Line. He had kindly blue eyes, a stub nose, and a mouth that shut to like a rat-trap, and stayed shut. Under his chin hung a pair of half-moon whiskers which framed his weather-beaten face as a spike collar frames a dog's. "You don't want to send this vessel to sea...
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Ezekiel Todd, her dry, tight-fisted, lean father, had named her, bawling it out so loud that the more suitable, certainly the more euphonious, "Evangeline," proffered in a timid whisper by her faded and somewhat romantic mother, was completely smothered. "I baptize thee, Evang—" began the minister, when Ezekiel's voice rose clear: "Abijah, I tell ye,...
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CHAPTER I The Colonel's House in Bedford Place The dinner was at the colonel's—an old-fashioned, partly furnished, two-story house nearly a century old which crouches down behind a larger and more modern dwelling fronting on Bedford Place within a stone's throw of the tall clock tower of Jefferson Market. The street entrance to this curious abode is marked by a swinging wooden gate...
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This is Marny's story, not mine. He had a hammer in his hand at the time and a tack between his teeth. "Going to hang Fiddles right under the old fellow's head," he burst out. "That's where he belongs. I'd have given a ten-acre if he could have drawn a bead on that elk himself. Fiddles behind a .44 Winchester and that old buck browsing to windward"—and he nodded at...
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It began to snow half an hour after the train started—a fine-grained, slanting, determined snow that forced its way between the bellows of the vestibules, and deposited itself in mounds of powdered salt all over the platforms and steps. Even the porter had caught some puffs on his depot coat with the red cape, and so had the conductor, from the way he thrashed his cap on the back of the seat in front...
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Dinner was over, and Mme. Constantin and her guests were seated under the lighted candles in her cosey salon. With the serving of the coffee and cigarettes, pillows had been adjusted to bare shoulders, stools moved under slippered feet, and easy lounges pushed nearer the fire. Greenough, his long body aslant, his head on the edge of a chair, his feet on the hearth rug, was blowing rings to the ceiling....
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CHAPTER I On the precise day on which this story opens—some sixty or more years ago, to be exact—a bullet-headed, merry-eyed, mahogany-colored young darky stood on the top step of an old-fashioned, high-stoop house, craning his head up and down and across Kennedy Square in the effort to get the first glimpse of his master, St. George Wilmot Temple, attorney and counsellor-at-law, who was expected...
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COMPOSITION My chief reason for confining these four talks to the outdoor sketch is because I have been an outdoor painter since I was sixteen years of age; have never in my whole life painted what is known as a studio picture evolved from memory or from my inner consciousness, or from any one of my outdoor sketches. My pictures are begun and finished often at one sitting, never more than three...
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