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Francis Hopkinson Smith
![Francis Hopkinson Smith](https://digilibraries-com.s3.eu-central-1.amazonaws.com/avatars/7303859e-f0a8-432d-9dff-f6d60eae17a2.jpg)
Francis Hopkinson Smith was an American author, artist, and engineer, born on October 23, 1838. He is best known for his engineering work on projects like the foundation of the Statue of Liberty and for his literary contributions, including novels like "Colonel Carter of Cartersville" and "Caleb West, Master Diver." Smith was also a talented painter and illustrator, frequently contributing to magazines and showcasing his artwork in various exhibitions.
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CHAPTER I One lovely spring morning—and this story begins on a spring morning some fifty years or more ago—a joy of a morning that made one glad to be alive, when the radiant sunshine had turned the ribbon of a road that ran from Warehold village to Barnegat Light and the sea to satin, the wide marshes to velvet, and the belts of stunted pines to bands of purple—on this spring morning, then,...
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This collection of stories has been labelled "The Veiled Lady" as being the easiest way out of a dilemma; and yet the title may be misleading. While, beyond doubt, there is between these covers a most charming and lovable Houri, to whom the nightingales sing lullabies, there can also be found a surpassingly beautiful Venetian whose love affairs upset a Quarter, a common-sense, motherly nurse...
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Wilyum!.....WILYUM!" It was mine host of the Ferry Inn at Cook-ham who was calling, and at the top of his voice—and a big-chested voice it was—the sound leaping into crescendo as the object of his search remained hidden. Then he turned to me: "He's somewheres 'round the boat house—you can't miss him—there's too much of him!" "Are ye wantin' me, sor?"...
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Now and then in my various prowlings I have met a man with a personality; one with mental equipment, heart endowment, self-forgetfulness, and charm—the kind of charm that makes you glad when he comes and sorry when he goes. One was a big-chested, straight-backed, clear-eyed, clean-souled sea-dog, with arms of hickory, fingers of steel, and a brain in instant touch with a button marked "Experience...
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Once in a while there come to me out of the long ago the fragments of a story I have not thought of for years—one that has been hidden in the dim lumber-room of my brain where I store my by-gone memories. These fragments thrust themselves out of the past as do the cuffs of an old-fashioned coat, the flutings of a flounce, or the lacings of a bodice from out a quickly opened bureau drawer. Only when...
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A short, square chunk of a man walked into a shipping office on the East Side, and inquired for the Manager of the Line. He had kindly blue eyes, a stub nose, and a mouth that shut to like a rat-trap, and stayed shut. Under his chin hung a pair of half-moon whiskers which framed his weather-beaten face as a spike collar frames a dog's. "You don't want to send this vessel to sea...
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Dinner was over, and Mme. Constantin and her guests were seated under the lighted candles in her cosey salon. With the serving of the coffee and cigarettes, pillows had been adjusted to bare shoulders, stools moved under slippered feet, and easy lounges pushed nearer the fire. Greenough, his long body aslant, his head on the edge of a chair, his feet on the hearth rug, was blowing rings to the ceiling....
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I had left Sandy MacWhirter crooning over his smouldering wood fire the day Boggs blew in with news of the sale of Mac's two pictures at the Academy, and his reply to my inquiry regarding his future plans (vaguely connected with a certain girl in a steamer chair), "By the next steamer, my boy," still rang in my ears, but my surprise was none the less genuine when I looked up from my easel,...
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It began to snow half an hour after the train started—a fine-grained, slanting, determined snow that forced its way between the bellows of the vestibules, and deposited itself in mounds of powdered salt all over the platforms and steps. Even the porter had caught some puffs on his depot coat with the red cape, and so had the conductor, from the way he thrashed his cap on the back of the seat in front...
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This is Marny's story, not mine. He had a hammer in his hand at the time and a tack between his teeth. "Going to hang Fiddles right under the old fellow's head," he burst out. "That's where he belongs. I'd have given a ten-acre if he could have drawn a bead on that elk himself. Fiddles behind a .44 Winchester and that old buck browsing to windward"—and he nodded at...
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