F. Marion (Francis Marion) Crawford

F. Marion (Francis Marion) Crawford
Francis Marion Crawford (1854-1909) was an American writer noted for his prolific output of novels and short stories, many of which explore supernatural themes. His most famous works include the "Saracinesca" series and the horror story "The Screaming Skull." Crawford's rich, descriptive prose and ability to evoke atmospheric settings have earned him a lasting place in the Gothic and supernatural literary traditions.

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CHAPTER I. Among the many peculiarities which contribute to make New York unlike other cities is the construction of what may be called its social map. As in the puzzles used in teaching children geography, all the pieces are of different shapes, different sizes and different colours; but they fit neatly together in the compact whole though the lines which define each bit are distinctly visible,... more...

CHAPTER I. The inner room of a tobacconist's shop is not perhaps the spot which a writer of fiction would naturally choose as the theatre of his play, nor does the inventor of pleasant romances, of stirring incident, or moving love-tales feel himself instinctively inclined to turn to Munich as to the city of his dreams. On the other hand, it is by no means certain that, if the choice of a stage... more...

CHAPTER I Two young girls sat in a high though very narrow room of the old Moorish palace to which King Philip the Second had brought his court when he finally made Madrid his capital. It was in the month of November, in the afternoon, and the light was cold and grey, for the two tall windows looked due north, and a fine rain had been falling all the morning. The stones in the court were drying now, in... more...

MAN OVERBOARD Yes—I have heard "Man overboard!" a good many times since I was a boy, and once or twice I have seen the man go. There are more men lost in that way than passengers on ocean steamers ever learn of. I have stood looking over the rail on a dark night, when there was a step beside me, and something flew past my head like a big black bat—and then there was a splash! Stokers often... more...

CHAPTER I A great multitude of people filled the church, crowded together in the old black pews, standing closely thronged in the nave and aisles, pressing shoulder to shoulder even in the two chapels on the right and left of the apse, a vast gathering of pale men and women whose eyes were sad and in whose faces was written the history of their nation. The mighty shafts and pilasters of the Gothic... more...

CHAPTER I The Baroness Volterra drove to the Palazzo Conti in the heart of Rome at nine o'clock in the morning, to be sure of finding Donna Clementina at home. She had tried twice to telephone, on the previous afternoon, but the central office had answered that "the communication was interrupted." She was very anxious to see Clementina at once, in order to get her support for a new and... more...

CHAPTER I. Lay your course south-east half east from the Campanella. If the weather is what it should be in late summer you will have a fresh breeze on the starboard quarter from ten in the morning till four or five o'clock in the afternoon. Sail straight across the wide gulf of Salerno, and when you are over give the Licosa Point a wide berth, for the water is shallow and there are reefs along... more...

CHAPTER I. "Where shall I sign my name?" Veronica Serra's thin, dark fingers rolled the old silver penholder nervously as she sat at one end of the long library table, looking up at the short, stout man who stood beside her. "Here, if you please, Excellency," answered Lamberto Squarci, with an affable smile. His fingers were dark, too, but not thin, and they were smooth and dingy... more...

CHAPTER I “I sometimes think that one’s past life is written in a foreign language,” said Mrs. Bowring, shutting the book she held, but keeping the place with one smooth, thin forefinger, while her still, blue eyes turned from her daughter’s face towards the hazy hills that hemmed the sea thirty miles to the southward. “When one wants to read it, one finds ever so many words which one cannot... more...

CHAPTER I "The whole of this modern fabric of existence is a living lie!" cried Marzio Pandolfi, striking his little hammer upon the heavy table with an impatient rap. Then he dropped it and turning on his stool rested one elbow upon the board while he clasped his long, nervous fingers together and stared hard at his handsome apprentice. Gianbattista Bordogni looked up from his work without... more...

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