F. Marion (Francis Marion) Crawford

F. Marion (Francis Marion) Crawford
Francis Marion Crawford (1854-1909) was an American writer noted for his prolific output of novels and short stories, many of which explore supernatural themes. His most famous works include the "Saracinesca" series and the horror story "The Screaming Skull." Crawford's rich, descriptive prose and ability to evoke atmospheric settings have earned him a lasting place in the Gothic and supernatural literary traditions.

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CHAPTER I Frau von Sigmundskron was not really much past middle age, though the people in the village generally called her the old baroness. Her hair was very white and she was thin and pale; her bold features, almost emaciated, displayed the framework of departed beauty, and if her high white forehead and waxen face were free from lines and wrinkles, it must have been because time and grief could find... more...

Very little was known about George, the Dalmatian, and the servants in the house of Angelo Beroviero, as well as the workmen of the latter's glass furnace, called him Zorzi, distrusted him, suggested that he was probably a heretic, and did not hide their suspicion that he was in love with the master's only daughter, Marietta. All these matters were against him, and people wondered why old... more...

CHAPTER I The Senator Michele Pignaver, being a childless widower of several years' standing and a personage of wealth and worth in Venice, made up his mind one day that he would marry his niece Ortensia, as soon as her education was completed. For he was a man of culture and of refined tastes, fond of music, much given to writing sonnets and to reading the works of the elegant Politian, as well... more...

CHAPTER I. In spite of Jean-Jacques and his school, men are not everywhere born free, any more than they are everywhere in chains, unless these be of their own individual making. Especially in countries where excessive liberty or excessive tyranny favours the growth of that class most usually designated as adventurers, it is true that man, by his own dominant will, or by a still more potent servility,... more...

CHAPTER I I, Cornelio Grandi, who tell you these things, have a story of my own, of which some of you are not ignorant. You know, for one thing, that I was not always poor, nor always a professor of philosophy, nor a scribbler of pedantic articles for a living. Many of you can remember why I was driven to sell my patrimony, the dear castello in the Sabines, with the good corn-land and the vineyards in... more...

Two men were sitting side by side on a stone bench in the forgotten garden of the Arcadian Society, in Rome; and it was in early spring, not long ago. Few people, Romans or strangers, ever find their way to that lonely and beautiful spot beyond the Tiber, niched in a hollow of the Janiculum below San Pietro in Montorio, where Beatrice Cenci sleeps. The Arcadians were men and women who loved poetry in... more...

CHAPTER I. In the year 1865 Rome was still in a great measure its old self. It had not then acquired that modern air which is now beginning to pervade it. The Corso had not been widened and whitewashed; the Villa Aldobrandini had not been cut through to make the Via Nazionale; the south wing of the Palazzo Colonna still looked upon a narrow lane through which men hesitated to pass after dark; the... more...

The story of Rome is the most splendid romance in all history. A few shepherds tend their flocks among volcanic hills, listening by day and night to the awful warnings of the subterranean voice,—born in danger, reared in peril, living their lives under perpetual menace of destruction, from generation to generation. Then, at last, the deep voice swells to thunder, roaring up from the earth's... more...

I "Hope is very cheap. There's always plenty of it about." "Fortunately for poor men. Good morning." With this mild retort and civil salutation John Henry Overholt rose and went towards the door, quite forgetting to shake hands with Mr. Burnside, though the latter made a motion to do so. Mr. Burnside always gave his hand in a friendly way, even when he had flatly refused to do what... more...

CHAPTER I 'I cannot help it,' said Filmore Durand quietly. 'I paint what I see. If you are not pleased with the likeness, I shall be only too happy to keep it.' The Marchesa protested. It was only a very small matter, she said, a something in the eyes, or in the angle of the left eyebrow, or in the turn of the throat; she could not tell where it was, but it gave her niece a little... more...

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