CHAPTER I. HOW OUR ITALY IS MADE. The traveller who descends into Italy by an Alpine pass never forgets the surprise and delight of the transition. In an hour he is whirled down the slopes from the region of eternal snow to the verdure of spring or the ripeness of summer. Suddenly—it may be at a turn in the road—winter is left behind; the plains of Lombardy are in view; the Lake of Como or Maggiore... more...

I "The way to mount a horse"—said the Professor. "If you have no ladder—put in the Friend of Humanity." The Professor had ridden through the war for the Union on the right side, enjoying a much better view of it than if he had walked, and knew as much about a horse as a person ought to know for the sake of his character. The man who can recite the tales of the Canterbury Pilgrims,... more...

A NIGHT IN THE GARDEN OF THE TUILERIES It was in the time of the Second Empire. To be exact, it was the night of the 18th of June, 1868; I remember the date, because, contrary to the astronomical theory of short nights at this season, this was the longest night I ever saw. It was the loveliest time of the year in Paris, when one was tempted to lounge all day in the gardens and to give to sleep none of... more...

INTRODUCTORY LETTER MY DEAR MR. FIELDS,—I did promise to write an Introduction to these charming papers but an Introduction,—what is it?—a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,—very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon... more...

One of the worst characteristics of modern fiction is its so-called truth to nature. For fiction is an art, as painting is, as sculpture is, as acting is. A photograph of a natural object is not art; nor is the plaster cast of a man's face, nor is the bare setting on the stage of an actual occurrence. Art requires an idealization of nature. The amateur, though she may be a lady, who attempts to... more...

INTRODUCTORY SKETCH The title naturally suggested for this story was "A Dead Soul," but it was discarded because of the similarity to that of the famous novel by Nikolai Gogol—"Dead Souls"—though the motive has nothing in common with that used by the Russian novelist. Gogol exposed an extensive fraud practiced by the sale, in connection with lands, of the names of "serfs"... more...

This is the first public meeting of the National Institute of Arts and Letters. The original members were selected by an invitation from the American Social Science Association, which acted under the power of its charter from the Congress of the United States. The members thus selected, who joined the Social Science Association, were given the alternative of organizing as an independent institute or as... more...

The problem of dealing with the criminal class seems insolvable, and it undoubtedly is with present methods. It has never been attempted on a fully scientific basis, with due regard to the protection of society and to the interests of the criminal. It is purely an economic and educational problem, and must rest upon the same principles that govern in any successful industry, or in education, and that... more...

I. HOW I KILLED A BEAR So many conflicting accounts have appeared about my casual encounter with an Adirondack bear last summer that in justice to the public, to myself, and to the bear, it is necessary to make a plain statement of the facts. Besides, it is so seldom I have occasion to kill a bear, that the celebration of the exploit may be excused. The encounter was unpremeditated on both sides. I was... more...

New England is the battle-ground of the seasons. It is La Vendee. To conquer it is only to begin the fight. When it is completely subdued, what kind of weather have you? None whatever. What is this New England? A country? No: a camp. It is alternately invaded by the hyperborean legions and by the wilting sirens of the tropics. Icicles hang always on its northern heights; its seacoasts are fringed with... more...