AUGUSTUS DOES HIS BIT The Mayor's parlor in the Town Hall of Little Pifflington. Lord Augustus Highcastle, a distinguished member of the governing class, in the uniform of a colonel, and very well preserved at forty-five, is comfortably seated at a writing-table with his heels on it, reading The Morning Post. The door faces him, a little to his left, at the other side of the room. The window is... more...

The forenoon of the first of April, 1911. General Mitchener is at his writing table in the War Office, opening letters. On his left is the fireplace, with a fire burning. On his right, against the opposite wall is a standing desk with an office stool. The door is in the wall behind him, half way between the table and the desk. The table is not quite in the middle of the room: it is nearer to the... more...

THE GOLDEN RULE Do not do unto others as you would that they should do unto you. Their tastes may not be the same. Never resist temptation: prove all things: hold fast that which is good. Do not love your neighbor as yourself. If you are on good terms with yourself it is an impertinence: if on bad, an injury. The golden rule is that there are no golden rules. The art of government is the organization... more...

FOREWORD A revolutionist is one who desires to discard the existing social order and try another. The constitution of England is revolutionary. To a Russian or Anglo-Indian bureaucrat, a general election is as much a revolution as a referendum or plebiscite in which the people fight instead of voting. The French Revolution overthrew one set of rulers and substituted another with different interests and... more...

BERNARD SHAW N.B. The Euripidean verses in the second act of Major Barbara are not by me, or even directly by Euripides. They are by Professor Gilbert Murray, whose English version of The Baccha; came into our dramatic literature with all the impulsive power of an original work shortly before Major Barbara was begun. The play, indeed, stands indebted to him in more ways than one. G. B. S. Before... more...

PREFACE The Admirable Bashville is a product of the British law of copyright. As that law stands at present, the first person who patches up a stage version of a novel, however worthless and absurd that version may be, and has it read by himself and a few confederates to another confederate who has paid for admission in a hall licensed for theatrical performances, secures the stage rights of that... more...

INTRODUCTION To the irreverent—and which of us will claim entire exemption from that comfortable classification?—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox).... more...

THE RHINE GOLD Let me assume for a moment that you are a young and good-looking woman. Try to imagine yourself in that character at Klondyke five years ago. The place is teeming with gold. If you are content to leave the gold alone, as the wise leave flowers without plucking them, enjoying with perfect naivete its color and glitter and preciousness, no human being will ever be the worse for your... more...

Exception has been taken to the title of this seeming tomfoolery on the ground that the Catherine it represents is not Great Catherine, but the Catherine whose gallantries provide some of the lightest pages of modern history. Great Catherine, it is said, was the Catherine whose diplomacy, whose campaigns and conquests, whose plans of Liberal reform, whose correspondence with Grimm and Voltaire enabled... more...

Where Heartbreak House Stands Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war. When the play was begun not a shot had been fired; and only the professional diplomatists and the very few amateurs whose hobby is foreign policy even knew that the guns were loaded. A Russian playwright, Tchekov, had produced four fascinating... more...