ACT I At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the... more...

PREFACE Like many other works of mine, this playlet is a piece d'occasion. In 1905 it happened that Mr Arnold Daly, who was then playing the part of Napoleon in The Man of Destiny in New York, found that whilst the play was too long to take a secondary place in the evening's performance, it was too short to suffice by itself. I therefore took advantage of four days continuous rain during a... more...

A lady and gentleman are making love to one another in the drawing-room of a flat in Ashly Gardens in the Victoria district of London. It is past ten at night. The walls are hung with theatrical engravings and photographs—Kemble as Hamlet, Mrs. Siddons as Queen Katharine pleading in court, Macready as Werner (after Maclise), Sir Henry Irving as Richard III (after Long), Miss Ellen Terry, Mrs. Kendal,... more...

THE REVOLT AGAINST MARRIAGE There is no subject on which more dangerous nonsense is talked and thought than marriage. If the mischief stopped at talking and thinking it would be bad enough; but it goes further, into disastrous anarchical action. Because our marriage law is inhuman and unreasonable to the point of downright abomination, the bolder and more rebellious spirits form illicit unions,... more...

Exception has been taken to the title of this seeming tomfoolery on the ground that the Catherine it represents is not Great Catherine, but the Catherine whose gallantries provide some of the lightest pages of modern history. Great Catherine, it is said, was the Catherine whose diplomacy, whose campaigns and conquests, whose plans of Liberal reform, whose correspondence with Grimm and Voltaire enabled... more...

BERNARD SHAW N.B. The Euripidean verses in the second act of Major Barbara are not by me, or even directly by Euripides. They are by Professor Gilbert Murray, whose English version of The Baccha; came into our dramatic literature with all the impulsive power of an original work shortly before Major Barbara was begun. The play, indeed, stands indebted to him in more ways than one. G. B. S. Before... more...

WHY NOT GIVE CHRISTIANITY A TRIAL? The question seems a hopeless one after 2000 years of resolute adherence to the old cry of "Not this man, but Barabbas." Yet it is beginning to look as if Barabbas was a failure, in spite of his strong right hand, his victories, his empires, his millions of money, and his moralities and churches and political constitutions. "This man" has not been a... more...

CHAPTER I In the dusk of an October evening, a sensible looking woman of forty came out through an oaken door to a broad landing on the first floor of an old English country-house. A braid of her hair had fallen forward as if she had been stooping over book or pen; and she stood for a moment to smooth it, and to gaze contemplatively—not in the least sentimentally—through the tall, narrow window.... more...

PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady... more...

I Moncrief House, Panley Common. Scholastic establishment for the sons of gentlemen, etc. Panley Common, viewed from the back windows of Moncrief House, is a tract of grass, furze and rushes, stretching away to the western horizon. One wet spring afternoon the sky was full of broken clouds, and the common was swept by their shadows, between which patches of green and yellow gorse were bright in the... more...