INTRODUCTION I. ON MILLET'S CHARACTER AS AN ARTIST The distinctive features of Millet's art are so marked that the most inexperienced observer easily identifies his work. As a painter of rustic subjects, he is unlike any other artists who have entered the same field, even those who have taken his own themes. We get at the heart of the matter when we say that Millet derived his art directly... more...

A HAUNTED HOUSE Whatever hour you woke there was a door shutting. From room to room they went, hand in hand, lifting here, opening there, making sure—a ghostly couple. "Here we left it," she said. And he added, "Oh, but here too!" "It's upstairs," she murmured. "And in the garden," he whispered. "Quietly," they said, "or we shall wake them." But it... more...

I The lamp had not been wiped, and the room smelt slightly of paraffin. The old window-curtains, whose harsh green age had not softened, were drawn. The mahogany sideboard, the threadbare carpet, the small horsehair sofa, the gilt mirror, standing on a white marble chimney-piece, said clearly, 'Furnished apartments in a house built about a hundred years ago.' There were piles of newspapers,... more...

INTRODUCTIONA small family of passerine birds, the Bombycillidae, has been selected for analysis in the present paper. By comparative study of coloration, nesting, food habits, skeleton and soft parts, an attempt is made to determine which of the differences and similarities between species are the result of habits within relatively recent geological time, and which differences are the result of... more...

Introduces the Hero. To be generally helpful was one of the chief points in the character of Charlie Brooke. He was evidently born to aid mankind. He began by helping himself to everything in life that seemed at all desirable. This was natural, not selfish. At first there were few things, apparently, that did seem to his infant mind desirable, for his earliest days were marked by a sort of chronic... more...

CANTO III "THROUGH me you pass into the city of woe:Through me you pass into eternal pain:Through me among the people lost for aye.Justice the founder of my fabric mov'd:To rear me was the task of power divine,Supremest wisdom, and primeval love.Before me things create were none, save thingsEternal, and eternal I endure. "All hope abandon ye who enter here." Such characters in colour... more...

CHAPTER I. THE FIRST TWENTY-FIVE YEARS. 1758-1783. It is the appointed lot of some of History's chosen few to come upon the scene at the moment when a great tendency is nearing its crisis and culmination. Specially gifted with qualities needed to realize the fulness of its possibilities, they so identify themselves with it by their deeds that they thenceforth personify to the world the movement... more...

THE PRINCE. (A Letter from Nicola Puncio Machiavelli to the Most Illustrious Vittorio Emanuele, Son of Umberto, King of Italy.) I. There never was, nor is at this day, any man in the world who is not either a Prince or not a Prince. Seeing, therefore, that your Highness appertains of right to the class of them that are Princes, and being ambitious to present to your Highness that which should have the... more...

The plan for the establishment of a second college in Connecticut was not carried into effect until after the time of the political and religious revolution which secured the adoption of a State Constitution in 1818. Probably no such plan was seriously entertained till after the close of the war of Independence. The Episcopal church in Connecticut had, one may almost say, been born in the library of... more...

CHAPTER I THE CRASH “ Failed!” ejaculated John Valiant blankly, and the hat he held dropped to the claret-colored rug like a huge white splotch of sudden fright. “The Corporation—failed!” The young man was the glass of fashion, from the silken ribbon on the spotless Panama to his pearl-gray gaiters, and well favored—a lithe stalwart figure, with wide-set hazel eyes and strong brown hair... more...