Just about a year ago my old friend, Jules Simon, author of "Devoir," came to me with a request that I write a novel for the "Journal pour Tous." I gave him the outline of a novel which I had in mind. The subject pleased him, and the contract was signed on the spot. The action occurred between 1791 and 1793, and the first chapter opened at Varennes the evening of the king's arrest.... more...

CHAPTER I. Towards the close of the last century the Baron de Beaurepaire lived in the chateau of that name in Brittany. His family was of prodigious antiquity; seven successive barons had already flourished on this spot when a younger son of the house accompanied his neighbor the Duke of Normandy in his descent on England, and was rewarded by a grant of English land, on which he dug a mote and built a... more...

I. In the middle of the broad, fertile plain that stretches away in the direction of the Rhine, a mile and a quarter from Mulhausen, the camp was pitched. In the fitful light of the overcast August day, beneath the lowering sky that was filled with heavy drifting clouds, the long lines of squat white shelter-tents seemed to cower closer to the ground, and the muskets, stacked at regular intervals along... more...

TWO GIRLS OF NORMANDY In all the countryside of Evreux, nay in all the beauteous old-time Normandy of the period of 1789, there were no lovelier filles du peuple than Henriette and Louise Girard. Their romantic story was often whispered by country gossips. In infancy foundlings on the church steps of Notre Dame, then brought to this quiet Norman backwater by the Girards and raised as sisters, they had... more...

Childhood. 1754-1767Characters developed by the French Revolution.Madame Roland.Many characters of unusual grandeur were developed by the French Revolution. Among them all, there are few more illustrious, or more worthy of notice, than that of Madame Roland. The eventful story of her life contains much to inspire the mind with admiration and with enthusiasm, and to stimulate one to live worthily of... more...

"Have you got something good? Then put the basket down and go along home!" This was one usual greeting from old Mahlmann when we brought him provisions. He was very old, and rarely out of his bed, only now and then on warm summer days he sat on the bench before his tiny cottage and basked in the sun. If a painter had ever strayed to our uninteresting little town he would certainly have put old... more...

The partnership of Edmond and Jules de Goncourt is probably the most curious and perfect example of collaboration recorded in literary history. The brothers worked together for twenty-two years, and the amalgam of their diverse talents was so complete that, were it not for the information given by the survivor, it would be difficult to guess what each brought to the work which bears their names. Even... more...

PREFACE. The publishers of these letters have requested me to write a preface. In vain I have told them, that if prefaces have not gone out of date, the sooner they do, the better it will be for the public; in vain I have despairingly suggested that there must be something which would serve their purpose, kept in type at their printers, commencing, "At the request of—perhaps too... more...

I.—Principle of the revolutionary party. Its applications. As a justification of these popular outbreaks and assaults, we discover at the outset a theory, which is neither improvised, added to, nor superficial, but now firmly fixed in the public mind. It has for a long time been nourished by philosophical discussions. It is a sort of enduring, long-lived root out of which the new constitutional tree... more...

variste Gamelin, painter, pupil of David, member of the Section du Pont-Neuf, formerly Section Henri IV, had betaken himself at an early hour in the morning to the old church of the Barnabites, which for three years, since 21st May 1790, had served as meeting-place for the General Assembly of the Section. The church stood in a narrow, gloomy square, not far from the gates of the Palais de Justice. On... more...