CHAPTER I. So thrilling were my experiences during that period, so overcrowded with feverish action and strong emotions was each wonderful moment, and so entirely changed are the conditions of life as I now find it, that it is with considerable difficulty that I recall in detail all that happened prior to my remarkable discovery which opened communication between Earth and Mars. One says... more...

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THOMAS TELFORD, STONEMASON. High up among the heather-clad hills which form the broad dividing barrier between England and Scotland, the little river Esk brawls and bickers over its stony bed through a wild land of barren braesides and brown peat mosses, forming altogether some of the gloomiest and most forbidding scenery in the whole expanse of northern Britain. Almost the entire bulk of the counties... more...

CHAPTER I A PROPHECY “You’re cold-blooded as a fish, Roberts, colder. You’re—There is no adequate simile.” The man addressed said nothing. “You degrade every consideration in life, emotional and other, to a dollar-and-cents basis. Sentiment, ambition, common judgment of right and wrong, all gravitate to the same level. You have a single standard of measurement that you apply to all alike,... more...

CHAPTER I THE FIRST WAYFARER AND THE SECOND WAYFARER MEET AND PART ON THE HIGHWAY A solitary figure trudged along the narrow road that wound its serpentinous way through the dismal, forbidding depths of the forest: a man who, though weary and footsore, lagged not in his swift, resolute advance. Night was coming on, and with it the no uncertain prospects of storm. Through the foliage that overhung the... more...

THE EYE: ITS PRIMARY IDEA. I do not remember to have remarked that any writer notices how uniformly, in almost all languages, the same primary idea has been attached to the eye. This universal consent is the more remarkable, inasmuch as the connexion in question, though of course most appropriate and significant in itself, hardly seems to indicate the most prominent characteristic, or what we should... more...

CHAPTER I. WHAT A LETTER FROM A TRAMP STEAMER DID. "I say, what's gone wrong now, Maurice, old fel?" The speaker, a roughly clad boy of about fifteen or over, caught hold of his companion's sleeve and looked sympathetically in his face. The lad whom he called Maurice was better dressed, and he seemed to carry with him a certain air of refinement that was lacking in his friend, who was... more...

OUT OF THEIR MINDS "Remember, now; don't make a sound, no matter what you see!" Mrs. Kinney eyed her caller anxiously as they came to a pause in front of the door. His glance widened at her caution, but he nodded briefly. She turned the key in the lock. Next second the two stepped softly into the room. Mrs. Kinney carefully closed and locked the door behind them; and meanwhile the man,... more...

THE RIDERS. I dare say ’tis a wild, foolish, dangerous thing; but I do it, nevertheless! As for my reasons, they are the strongest. First, I wish to do it. Second, you’ve all opposed my doing it. So there’s an end of the matter!” It was, of course, a woman that spoke,—moreover, a young one. And she added: “Drat the wind! Can’t we ride faster? ’Twill be dark before we reach the... more...

INTRODUCTION I. ON CORREGGIO'S CHARACTER AS AN ARTIST. The art of Correggio was very justly summed up by his first biographer, Vasari. After pointing out that in the matter of drawing and composition the artist would scarcely have won a reputation, the writer goes on to say: "To Correggio belongs the great praise of having attained the highest point of perfection in coloring, whether his works... more...