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I INTRODUCTION During the twentieth century, a certain type of Indian painting began to fascinate the West. Unlike Mughal art, it was a product of Hindu courts in Rajasthan and the Punjab Hills and unlike Mughal painting, its chief concern was with the varied phases of romance. Ladies would be shown brooding in their chambers as storm clouds mounted in the sky. A girl might be portrayed desperately... more...

Mozart and His Constance Nearly eight years after Mozart's death his widow, in response to a request from a famous publishing house for relics of the composer, sent, among other Mozartiana, a packet of letters written to her by her husband. In transmitting these she wrote: "Especially characteristic is his great love for me, which breathes through all the letters. Is it not true—those from... more...

THE DEPARTUREAmbrose Thompson opened his front door and looked out. It was May, the sun had just risen over Pennyroyal, and before him lay Kentucky's carnival of spring. The boy drew a deep breath that seemed to rise and quiver over his face like a breeze coming away at the end of his long, curiously emotional nose. "Glory, what a day!" he whispered; "seems about good enough to... more...

INTRODUCTION The publishing history of this translation has been sketched by Cross, in his History of Henry Fielding, and may simply be summarized here. The first edition, entitled Ovid's Art of Love Paraphrased and Adapted to the Present Time (or Times) was first issued in February, 1747, and was advertised in the Gentleman's and Scots Magazines in that month. During March, further... more...

PART ONE IN WHICH PETER MEETS A DRAGON, AND THE LOVELY LADY MAKES HER APPEARANCE The walls of the Wonderful House rose up straight and shining, pale greenish gold as the slant sunlight on the orchard grass under the apple trees; the windows that sprang arching to the summer blueness let in the scent of the cluster rose at the turn of the fence, beginning to rise above the dusty smell of the country... more...

CHAPTER I. COMING HOME. The lamps of the Great Northern Terminus at King's Cross had not long been lighted, when a cab deposited a young lady and her luggage at the departure platform. It was an October twilight, cold and gray, and the place had a cheerless and dismal aspect to that solitary young traveller, to whom English life and an English atmosphere were somewhat strange. She had been seven... more...

by: Moliere
ACT I. ERAS. Shall I declare it to you? A certain secret anxiety never leaves my mind quite at rest. Yes, whatever remarks you make about my love, to tell you the truth, I am afraid of being deceived; or that you may be bribed in order to favour a rival; or, at least, that you may be imposed upon as well as myself. GR.-RE. As for me, if you suspect me of any knavish trick, I will say, and I trust I... more...

It is a long path which stretches from forty-five to seventy. A path easy enough to make, for each day's journey through life is a part of it, but very difficult to retrace. When we turn at that advanced mile-stone and look back, things seem misty. For there is many a twist and angle in the highway of a life, and often the things which we would forget stand out the clearest. But I would not drive... more...

Introduction "Tell me, ye muses, what hath former agesNow left succeeding times to play upon,And what remains unthought on by those sagesWhere a new muse may try her pinion?" So Complained Phineas Fletcher in his Purple Island as long ago as 1633. Three centuries have brought to the development of lyric passion no higher form than that of the sonnet cycle. The sonnet has been likened to an... more...

Science may conquer the stars, but it does nothing by jumps. As a Scientist, as well as a philosopher, I am accustomed to reaching the Transcendental by winding paths. It is characteristic of me that I should have consented to preface this remarkable Sonnet Cycle only after supreme deliberation, and that I should at last have determined to speak in behalf of the Car Conductor for the following reasons:... more...