CHAPTER I. LIFE ON A COTTON PLANTATION. * * * * * BIRTH—SOLD IN A RICHMOND SLAVE PEN. I was born in Virginia, in 1832, near Charlottesville, in the beautiful valley of the Rivanna river. My father was a white man and my mother a negress, the slave of one John Martin. I was a mere child, probably not more than six years of age, as I remember, when my mother, two brothers and myself were... more...

I have read with great satisfaction the excellent descriptive articles on the wonders of the Upper Yellowstone, in the May and June numbers of your magazine. Having myself been one of the party who participated in many of the pleasures, and suffered all the perils of that expedition, I can not only bear testimony to the fidelity of the narrative, but probably add some facts of experience which will not... more...

CHAPTER I. Providential Intervention.--Nature and Providence alike Mysterious.--An Unseen Hand shaping Human Events.--The Author urged to enter the Ministry.--Shrinks from the Responsibility.--Flies to Modern Tarshish.--Heads for Iowa.--Gets Stuck in the Mud.--Smitten by a Northern Gale.--Turns Aside to see the Eldorado.--Finds Himself Face to Face with the Itinerancy. The ways of Providence are... more...

ACT I The SCENE is the Italian Room in ROSCOE CROSBY'S Home in New York. It is a handsome room. A plan of the setting will be found at the end of the play. As the curtain rises Miss HELEN O'NEILL and WILLIAM CROSBY are discovered standing R.C. They are in each other's arms, and the rising curtain discloses them as they kiss. The window blinds are drawn. HELEN. I love you so. WILLIAM. You... more...

THIS IS THE END BY STELLA BENSON 1917 This is the end, for the moment, of all my thinking, this is my unfinal conclusion. There is no reason in tangible things, and no system in the ordinary ways of the world. Hands were made to grope, and feet to stumble, and the only things you may count on are the unaccountable things. System is a fairy and a dream, you never find system where or when you expect it.... more...

I INTRODUCTORY The object of a full-dress biography is to present as complete a picture as may be of a man and his work, the influence of his character upon his achievement, the struggle with opposing influences to carry out some guiding purpose or great idea. With abundant documents at hand the individual development, the action of events upon character, and of character upon events, can be shown in... more...

CHAPTER I Rosalie's earliest apprehension of the world was of a mysterious and extraordinary world that revolved entirely about her father and that entirely and completely belonged to her father. Under her father, all males had proprietory rights in the world and dominion over it; no females owned any part of the world or could do anything with it. All the males in this world—her father, and... more...

"How I hate the man who talks about the 'brute creation,' with an ugly emphasis on /brute/. . . . As for me, I am proud of my close kinship with other animals. I take a jealous pride in my Simian ancestry. I like to think that I was once a magnificent hairy fellow living in the trees, and that my frame has come down through geological time via sea jelly and worms and Amphioxus, Fish,... more...

INTRODUCTION Mr. Shan Bullock, who needs no introduction to those who read Irish books, has done no better work than in this tribute to one of the noblest Irishmen Ulster has produced in modern times. I refer not only to the literary merits of Thomas Andrews, Shipbuilder, which speak for themselves, but rather to the true insight with which he has fulfilled the precise purpose held in view by those who... more...

CHAPTER I EARLY LIFE 'A great man,' says Hegel, 'condemns the world to the task of explaining him.' Emphatically does the remark apply to Thomas Carlyle. When he began to leave his impress in literature, he was treated as a confusing and inexplicable element. Opinion oscillated between the view of James Mill, that Carlyle was an insane rhapsodist, and that of Jeffrey, that he was... more...