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Joyce Kilmer
The Twelve-Forty-Five (For Edward J. Wheeler) Within the Jersey City shedThe engine coughs and shakes its head,The smoke, a plume of red and white,Waves madly in the face of night.And now the grave incurious starsGleam on the groaning hurrying cars.Against the kind and awful reignOf darkness, this our angry train,A noisy little rebel, poutsIts brief defiance, flames and shouts —And passes on, and...
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SYMBOLISMTongueless the bell!Lute without a song!It is not nightIt is God's dawn,Silence its unending song.Over heart's valley,In the soul's night,Through pain's windowBehold! His light!On Life's Height.No prayer, now,Though death-waves roll,Faith's candle lit,Beside it sits the soulReading Eternity's scroll. SOURCE OF SINGINGA bruised heart,A wounded soul,A broken...
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THREE WOMEN My love is young, so young;Young is her cheek, and her throat,And life is a song to be sungWith love the word for each note. Young is her cheek and her throat;Her eyes have the smile o' May.And love is the word for each noteIn the song of my life to-day. Her eyes have the smile o' May;Her heart is the heart of a dove,And the song of my life to-dayIs love, beautiful love. Her heart...
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INTRODUCTION. In the present edition of Thomas Davis it is designed to offer a selection of his writings more fully representative than has hitherto appeared in one volume. The book opens with the best of his historical studies—his masterly vindication of the much-maligned Irish Parliament of James II. Next follows a selection of his literary, historical and political articles from The Nation and...
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HYMEN As from a temple service, tall and dignified, with slow pace, each a queen, the sixteen matrons from the temple of Hera pass before the curtain—a dark purple hung between Ionic columns—of the porch or open hall of a palace. Their hair is bound as the marble hair of the temple Hera. Each wears a crown or diadem of gold. They sing—the music is temple music, deep, simple, chanting notes:From...
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Hannibal. Could a Numidian horseman ride no faster? Marcellus! oh! Marcellus! He moves not—he is dead. Did he not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back...
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O what is this you've done to me,Or what have I done,That bare should be our fair roof-tree,And I all alone?'Tis worse than widow I becomeMore than desolate,To face a worse than empty homeWithout child or mate.'Twas not my strife askt him his lifeWhen it was but begun,Nor mine, I was a new-made wifeAnd now I am none;Nor mine that many a sapless ghostWails in sorrow-fare—But this does...
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by:
Stephen Crane
Do not weep, maiden, for war is kind.Because your lover threw wild hands toward the skyAnd the affrighted steed ran on alone,Do not weep.War is kind. Hoarse, booming drums of the regiment, Little souls who thirst for fight, These men were born to drill and die. The unexplained glory files...
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On the night of the rains,water was oozing out fromthe sky's swollen stitches,a rash developed acrossthe meaning of the heavens. The wooden floors of my attic placestrove for a deeper tone,a hoarse callinggrew louder as I pacedtrying to see rain. I followed the gravity of the treasure huntwhere each bounce meant a slapacross a table top of tension,where the window basted winter black rainand...
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In these days when the old civilisation is crumbling beneath our feet, the thought of poetry crosses the mind like the dear memory of things that have long since passed away. In our passionate desire for the new era, it is difficult to refrain oneself from the commonplace practice of speculating on the effects of warfare and of prophesying all manner of novel rebirths. But it may be well for us to...
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