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PREFACE. 'The last fruit off an old tree!' This, in the words of Walter Savage Landor, is what I have now the honour to set before the public in these hitherto 'Uncollected Writings of Thomas De Quincey.' It was my privilege to be associated intimately with the Author some thirty to forty years ago—from the beginning of 1850 until his death in 1859. Throughout the whole period...
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Fanny Forester
CHAPTER I. 'Thou shalt have no other gods before me.' 'Mother,' said little Effie Maurice, on a Sabbath evening in winter, 'Mr L—— said to-day that we are all in danger of breaking the first commandment,—do you think we are?' 'Did not Mr L. give you his reasons for thinking so?' 'Yes, mother.' 'Didn't you think he gave good...
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Henry Labouchere
PREFACE. The publishers of these letters have requested me to write a preface. In vain I have told them, that if prefaces have not gone out of date, the sooner they do, the better it will be for the public; in vain I have despairingly suggested that there must be something which would serve their purpose, kept in type at their printers, commencing, "At the request of—perhaps too...
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CHAPTER ITHERE was not a person in Old Chester less tainted by the vulgarity of secretiveness than Miss Lydia Sampson. She had no more reticence than sunshine or wind, or any other elemental thing. How much of this was due to conditions it would be hard to say; certainly there was no "reticence" in her silence as to her neighbors' affairs; she simply didn't know them! Nobody ever...
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William McFee
She was one of those girls who have become much more common of late years among the upper-middle classes, the comfortably fixed classes, than they have ever been since the aristocracy left off marrying Italian prime-donne. You know the type of English beauty, so often insisted on, say, twenty years ago—placid, fair, gentle, blue-eyed, fining into distinction in Lady Clara Vere de Vere? Always she was...
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Samuel Holt Monk
INTRODUCTION. The Rowe-Tonson edition of Shakespeare's plays (1709) is an important event in the history of both Shakespeare studies and English literary criticism. Though based substantially on the Fourth Folio (1685), it is the first, "edited" edition: Rowe modernized spelling and punctuation and quietly made a number of sensible emendations. It is the first edition to include dramatis...
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One The red sun rose slowly, achingly across the high Scottish moor, touching with melancholy gold the patching hoar frost and purple heath. For this was a land of pain, and stark beauty, and restless dream. Here the spirits of the dead walked by night through grim castles of shadow and dust, their glory long past. Here the spirits of the living grieved by day for a proud and chivalrous time forever...
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Mr. Speaker, Mr. President, my colleagues in the Congress, our distinguished guests and my fellow Americans: To address a joint session of the Congress in this great Chamber in which I was once privileged to serve is an honor for which I am deeply grateful. The State of the Union Address is traditionally an occasion for a lengthy and detailed account by the President of what he has accomplished in the...
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PREFACE The object of this book is to give the English-speaking public, in a convenient form, as faithful and readable a copy as the translator was capable of making of a document unique in the literature of antiquity. Whether we regard the correspondence of Cicero from the point of view of the biographer and observer of character, the historian, or the lover of belles lettres, it is equally worthy of...
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Henry Kendall
Biographical Note Henry Kendall was the first Australian poet to draw his inspiration from the life, scenery and traditions of the country. In the beginnings of Australian poetry the names of two other men stand with his—Adam Lindsay Gordon, of English parentage and education, and Charles Harpur, born in Australia a generation earlier than Kendall. Harpur's work, though lacking vitality, shows...
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