"Corruption" in Ancient Rome And Its Counterpart in Modern History Two years ago in Paris, while giving a course of lectures on Augustus at the Collège de France, I happened to say to an illustrious historian, a member of the French Academy, who was complimenting me: "But I have not remade Roman history, as many admirers think. On the contrary, it might be said, in a certain sense, that I... more...

I. The Beginnings. The art of literary portraiture in the seventeenth century developed with the effort to improve the writing of history. Its first and at all times its chief purpose in England was to show to later ages what kind of men had directed the affairs and shaped the fortunes of the nation. In France it was to be practised as a mere pastime; to sketch well-known figures in society, or to... more...

ADMONITIONSto theDISSIPATED.   Excess to mankind oft’times brings,Remorse with all its bitter stings;When cares oppress us in this life.At times we drink to banish strife;But when its feeble aid is o’er,We are more wretched then before.Oft poverty the man disgrace,And shows a drunkard in his face;Suppose he is a man of wealth,Excess of liquor injures health;Not only health but sad to name,Such... more...

The book here included among The World's Classics made its first appearance as an octavo volume of xxiv + 352 pages, with the title- page: Characters of Shakespeare's Plays, By William Hazlitt. London:Printed by C. H. Reynell, 21 Piccadilly, 1817. William Hazlitt (1778-1830) came of an Irish Protestant stock, and of a branch of it transplanted in the reign of George I from the county of... more...

Home, Sweet Home. “Hi! Val! Come, quick!” “What’s the matter?” I said excitedly, for my brother Bob came tearing down to the enclosure, sending the long-legged young ostriches scampering away towards the other side; and I knew directly that something unusual must be on the way, or, after the warnings he had received about not startling the wild young coveys, he would not have dashed up like... more...

The domestic legend which follows, is founded upon actual events of comparatively recent occurrence in the state of Kentucky. However strange the facts may appear in the sequel—however in conflict with what are usually supposed to be the sensibilities and characteristics of woman—they are yet unquestionably true; most of them having been conclusively established, by the best testimony, before a... more...

INTRODUCTION. Charles Carleton Coffin had a face that helped one to believe in God. His whole life was an evidence of Christianity. His was a genial, sunny soul that cheered you. He was an originator and an organizer of happiness. He had no ambition to be rich. His investments were in giving others a start and helping them to win success and joy. He was a soldier of the pen and a knight of truth. He... more...

ACT ONE Scene.—The Island Leucadia. A ruined temple of Apollo near the town of Pharo. Broken columns and stones are strewn, or stand desolately about. It is night—the moon rising. Antonio, who has been waiting impatiently, seats himself on a stone. By a road near the ruins Fulvia enters, cloaked.Antonio(turning): Helen——!Fulvia:A comely name, my lord.Antonio:Ah, you?My father's... more...

CHAPTER I The attempts to instil the elements of music into Charles Dickens when he was a small boy do not appear to have been attended with success. Mr. Kitton tells us that he learnt the piano during his school days, but his master gave him up in despair. Mr. Bowden, an old schoolfellow of the novelist's when he was at Wellington House Academy, in Hampstead Road, says that music used to be... more...

PREFACE. As the title-page of this volume indicates, no more is here attempted than a memorial of Charles Dickens in association with his Readings. It appeared desirable that something in the shape of an accurate record should be made of an episode in many respects so remarkable in the career of the most popular author of his generation. A commemorative volume, precisely of this character, was... more...