CHAPTER I ACQUIRING CONFIDENCE BEFORE AN AUDIENCE There is a strange sensation often experienced in the presence of an audience. It may proceed from the gaze of the many eyes that turn upon the speaker, especially if he permits himself to steadily return that gaze. Most speakers have been conscious of this in a nameless thrill, a real something, pervading the atmosphere, tangible, evanescent,... more...

SECTION I."By Nature's swift and secret working handThe garden glows, and fills the liberal airWith lavish odors.There let me drawEthereal soul, there drink reviving gales,Profusely breathing from the spicy grovesAnd vales of fragrance."—Thomson. Among the numerous gratifications derived from the cultivation of flowers, that of rearing them for the sake of their perfumes stands... more...

CHAPTER I.“Le donne son venute in eccellenzaDi ciascun’arte, ove hanno posto cura;E qualunque all’istorie abbia avvertenza,Ne sente ancor la fama non oscura.***E forse ascosi han lor debiti onoriL’invidia, o il non saper degli scrittori.”Ariosto.In all ages woman may lament the ungallant silence of the historian. His pen is the record of sterner actions than are usually the vocation of the... more...

I.—Mr. Pepys   Mr. Pepys was a Puritan. Froude once painted a portrait of Bunyan as an old Cavalier. He almost persuaded one that it was true till the later discovery of Bunyan’s name on the muster-roll of one of Cromwell’s regiments showed that he had been a Puritan from the beginning. If one calls Mr. Pepys a Puritan, however, one does not do so for the love of paradox or at a guess. He tells... more...

TheArt of Iugling orLegerdemaine.     Heretofore we haue runne ouer the two pestiferous carbuncles in the commonwealth, the Egyptians and common Canters: the poore Canters we haue canuased meetely well, it now remaines to proceede where I left, ond to goe forward with that before I promised: St. Quintane be my good speede, I know I haue runne thorow the hands of many, censured of diuers, & girded... more...

PREFACE. HE object of this book is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called “process,” on which so many artists are now engaged. There is almost a revolution in illustration at the present time, and both old and young—teachers and scholars—are in want of a handbook for reference when turning to the new... more...

Antoine Louis Barye At the Metropolitan Museum of Art are two pictures by the Florentine painter of the fifteenth century called Piero di Cosimo. They represent hunting scenes, and the figures are those of men, women, fauns, satyrs, centaurs, and beasts of the forests, fiercely struggling together. As we observe the lion fastening his teeth in the flesh of the boar, the bear grappling with his human... more...

THE HOLY OILS. Horace Endicott once believed that life began for him the day he married Sonia Westfield. The ten months spent with the young wife were of a hue so roseate as to render discussion of the point foolish. His youth had been a happy one, of the roystering, innocent kind: noisy with yachting, baseball, and a moderate quantity of college beer, but clean, as if his mother had supervised it; yet... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...

CHAPTER I. A GENTLEMAN THINKS HE CAN COMMIT A CRIME AND ESCAPE DETECTION. "Jack Barnes never gets left, you bet." "That was a close call, though," replied the Pullman porter who had given Mr. Barnes a helping hand, in his desperate effort to board the midnight express as it rolled out of Boston. "I wouldn't advise you to jump on moving trains often." "Thank you for your... more...