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by:
A. E. Henderson
GUY DE MAUPASSANT—A STUDY BY POL. NEVEUX "I entered literary life as a meteor, and I shall leave it like a thunderbolt." These words of Maupassant to Jose Maria de Heredia on the occasion of a memorable meeting are, in spite of their morbid solemnity, not an inexact summing up of the brief career during which, for ten years, the writer, by turns undaunted and sorrowful, with the fertility of...
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by:
H. A. Appleton
INTRODUCTION. Definition of Soap—Properties—Hydrolysis—Detergent Action. It has been said that the use of soap is a gauge of the civilisation of a nation, but though this may perhaps be in a great measure correct at the present day, the use of soap has not always been co-existent with civilisation, for according to Pliny (Nat. Hist., xxviii., 12, 51) soap was first introduced into Rome from...
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Thoughts are forces—like builds like and like attracts like. Thoughts of strength both build strength from within and attract it from without. Thoughts of weakness actualize weakness from within and attract it from without. Courage begets strength, fear begets weakness. And so courage begets success, fear begets failure. Any way the old world goesHappy be the weather!With the red thorn or the...
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by:
Havelock Ellis
ANALYSIS OF THE SEXUAL IMPULSE. Definition of Instinct—The Sexual Impulse a Factor of the Sexual Instinct—Theory of the Sexual Impulse as an Impulse of Evacuation—The Evidence in Support of this Theory Inadequate—The Sexual Impulse to Some Extent Independent of the Sexual Glands—The Sexual Impulse in Castrated Animals and Men—The Sexual Impulse in Castrated Women, after the Menopause, and...
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by:
Arnold Bennett
This preface, though placed at the beginning, as a preface must be, should be read at the end of the book. I have received a large amount of correspondence concerning this small work, and many reviews of it—some of them nearly as long as the book itself—have been printed. But scarcely any of the comment has been adverse. Some people have objected to a frivolity of tone; but as the tone is not, in...
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by:
J. T. Bealby
. Councillor Krespel was one of the strangest, oddest men I ever met with in my life. When I went to live in H—— for a time the whole town was full of talk about him, as he happened to be just then in the midst of one of the very craziest of his schemes. Krespel had the reputation of being both a clever, learn lawyer and a skilful diplomatist. One of the reigning princes of Germany—not, however,...
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Introduction My aim in this little book has been to give short sketches and estimates of the greatest modern English writers from Macaulay to Stevenson and Kipling. Omissions there are, but my effort has been to give the most characteristic writers a place and to try to stimulate the reader's interest in the man behind the book as well as in the best works of each author. Too much space is devoted...
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by:
Charles Maginnis
CHAPTER I STYLE IN PEN DRAWING Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its...
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by:
Cory Doctorow
A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the...
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JEAN MUIR "Has she come?" "No, Mamma, not yet." "I wish it were well over. The thought of it worries and excites me. A cushion for my back, Bella." And poor, peevish Mrs. Coventry sank into an easy chair with a nervous sigh and the air of a martyr, while her pretty daughter hovered about her with affectionate solicitude. "Who are they talking of, Lucia?" asked the...
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