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Chapter 1 He darted through the orange orchard searching for slugs for his breakfast, and between whiles he rocked on the branches and rang over his message of encouragement to men. The song of the Cardinal was overflowing with joy, for this was his holiday, his playtime. The southern world was filled with brilliant sunshine, gaudy flowers, an abundance of fruit, myriads of insects, and never a thing... more...

We had had so many office-boys before Gallegher came among us that they had begun to lose the characteristics of individuals, and became merged in a composite photograph of small boys, to whom we applied the generic title of "Here, you"; or "You, boy." We had had sleepy boys, and lazy boys, and bright, "smart" boys, who became so familiar on so short an acquaintance that we were... more...

PREFACE "Beyond doubt the finished historian must be a traveller: he must see with his own eyes the true look of a wide land; he must see, too, with his eyes the very spots where great events happened; he must mark the lie of a city, and take in, as far as a non-technical eye can, all that is special about a battle-field." So wrote Mr. Freeman in his Methods of Historical Study, and he... more...

CHAPTER I She was the largest craft afloat and the greatest of the works of men. In her construction and maintenance were involved every science, profession, and trade known to civilization. On her bridge were officers, who, besides being the pick of the Royal Navy, had passed rigid examinations in all studies that pertained to the winds, tides, currents, and geography of the sea; they were not only... more...

by: Anonymous
  It is our design to present a pleasing and interesting miscellany, which will serve to beguile the leisure hour, and will at the same time couple instruction with amusement. We have used but little method in the arrangement: Choosing rather to furnish the reader with a rich profusion of and anecdotes, all tending to illustrate the FEMALE CHARACTER, to display its delicacy, its sweetness, its gentle... more...

THE GHOST OF JERRY BUNDLER. Scene.—The Commercial Room in an old-fashioned hotel in a small country town. An air of old-fashioned comfort is in evidence everywhere. Old sporting prints on the walls. On the table up C. are half a dozen candlesticks, old-fashioned shape with snuffer attached. Two pairs of carpet slippers are set up within fender. Red curtains to window recess. Shutters or blinds to... more...

Easney Vicarage. Quite close to the nursery window at Easney Vicarage there grew a very old pear-tree. It was so old that the ivy had had time to hug its trunk with strong rough arms, and even to stretch them out nearly to the top, and hang dark green wreaths on every bough. Some day, the children had been told, this would choke the life out of the tree and kill it; that would be a pity, but there... more...

Act III Scene.–The same and furniture exactly as in Act II. (Mr. Pim is below settee L. standing in same position as at the end of Act II. George Marden is in centre of stage and Lady Marden is at foot of staircase. Their altitude is the same as at the end of Act II, and all are concerned about Olivia's hysteria.) George. Dead! Dead! Pim. Oh dear! Oh dear! I'm afraid I broke the news rather... more...

INTRODUCTION Richard Sherry’s A Treatise of Schemes and Tropes (1550), a familiar work of the Renaissance, is primarily thought of as a sixteenth-century English textbook on the figures. Yet it is also a mirror of one variation of rhetoric which came to be called the rhetoric of style. As a representative of this stylistic school, it offers little that is new to the third part of classical rhetoric.... more...

TWO ASPECTS OF LITERARY STUDY. Such a study of Literature as that for which the present book is designed includes two purposes, contributing to a common end. In the first place (I), the student must gain some general knowledge of the conditions out of which English literature has come into being, as a whole and during its successive periods, that is of the external facts of one sort or another without... more...