ACT I SCENE: The market-place of Hamelin. Right, the Minster, with an open shrine (right centre) containing a large sculptured figure of the Christ. Right, farther front, the house of KURT; and other narrow house-fronts. Left, the Rathaus, and (down) the home of JACOBUS. Front, to left and right, are corner-houses with projecting stories and casement windows. At the centre rear, a narrow street leads... more...

The slick black car sped along the wide and straight street. It came to a smooth stop in front of a clean white house. A man got out of the car and walked briskly to the door. Reaching out with a pink hand, he pressed the doorbell with one well-manicured finger. The door was answered by a housewife. She was wearing a white blouse, a green skirt and a green apron trimmed with white. Her feet were tucked... more...

Introduction That which we call 'The Bible' has the outward appearance of a book: in reality it is—what the word 'bible' implies in the original Greek—a whole library. More than fifty books, the production of a large number of different authors, representing periods of time extending over many centuries, are all comprehended between the covers of a single volume. There is no... more...

PART I Night, with the sinister, brooding peace of the desert, enwrapped the land, and the inmates of the old Karoo farm had long been at rest; but it was an hour when strange tree-creatures cry with the voices of human beings, and stealthy velvet-footed things prowl through places forbidden by day, and not all who rested at Blue Aloes were sleeping. Christine Chaine, wakeful and nervous, listening to... more...

ENGLISH POEMS TO THE READER Art was a palace once, things great and fair,And strong and holy, found a temple there:Now 'tis a lazar-house of leprous men.O shall me hear an English song again!Still English larks mount in the merry morn,An English May still brings an English thorn,Still English daisies up and down the grass,Still English love for English lad and lass—Yet youngsters blush to sing... more...

THE ORCHARD’S GRANDMOTHER. I MUST ask you to go back more than two hundred years, and watch two people in a quiet old English garden. One is an old lady reading. In her young days she was a famous beauty. That was very long ago, to be sure; but I think she is a beauty still—do not you? She has such a lovely face, and her eyes are so sweet and bright! and better than that, they are the kind which... more...

ERNEST LINWOOD. CHAPTER I. With an incident of my childhood I will commence the record of my life. It stands out in bold prominence, rugged and bleak, through the haze of memory. I was only twelve years old. He might have spoken less harshly. He might have remembered and pitied my youth and sensitiveness, that tall, powerful, hitherto kind man,—my preceptor, and, as I believed, my friend. Listen to... more...

INTRODUCTION. The London publishers annually issue statistics of the works that have appeared in England during the year. Sometimes sermons and books on theology reach the highest figures; England is still the England of the Bible, the country that at the time of the Reformation produced three hundred and twenty-six editions of the Scriptures in less than a century, and whose religious literature is so... more...

CHAPTER I. SACRED LYRICS OF THE THIRTEENTH CENTURY. In the midst of wars and rumours of wars, the strife of king and barons, and persistent efforts to subdue neighbouring countries, the mere effervescence of the life of the nation, let us think for a moment of that to which the poems I am about to present bear good witness—the true life of the people, growing quietly, slowly,... more...

CHAPTER I AN OMEN IS CONSTRUED "When a feller an' a gal washes their hands in the same basin at the same time, it's a tol'able good sign they won't git married this year." The oracle spoke through the bearded lips of a farmer perched on the top step of his cabin porch. The while he construed omens, a setter pup industriously gnawed at his boot-heels. The girl was bending... more...