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ACT V SCENE I. The Forest of Arden [Enter TOUCHSTONE and AUDREY.]TOUCHSTONEWe shall find a time, Audrey; patience, gentle Audrey. AUDREYFaith, the priest was good enough, for all the old gentleman's saying. TOUCHSTONEA most wicked Sir Oliver, Audrey, a most vile Martext. But, Audrey, there is a youth here in the forest lays claim to you. AUDREYAy, I know who 'tis: he hath no interest...
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INTRODUCTION Among the decisive events of the Revolutionary struggle, Burgoyne's campaign deservedly holds the foremost place, as well for what it led to, as for what it was in inception and execution—at once the most daring, most quixotic, and most disastrous effort of the whole war. Burgoyne was himself, in some respects, so remarkable a man that any picture of his exploits must needs be more...
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by:
John Ruskin
INTRODUCTION. 1. The Science of Architecture, followed out to its full extent, is one of the noblest of those which have reference only to the creations of human minds. It is not merely a science of the rule and compass, it does not consist only in the observation of just rule, or of fair proportion: it is, or ought to be, a science of feeling more than of rule, a ministry to the mind, more than to the...
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HOW TO BE A GOOD RADIO ACTOR The play in this book has actually been produced on the radio. Possibly you have listened to this one when you tuned in at home. The persons whose voices you heard as you listened, looked just as they did when they left their homes to go to the studio, although they were taking the parts of men and women who lived long ago and who wore costumes very different from the ones...
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by:
Mack Reynolds
he Co-ordinator said, "I suppose I'm an incurable romantic. You see, I hate to see you go." Academician Amschel Mayer was a man in early middle years; Dr. Leonid Plekhanov, his contemporary. They offset one another; Mayer thin and high-pitched, his colleague heavy, slow and dour. Now they both showed their puzzlement. The Co-ordinator added, "Without me." Plekhanov kept his massive...
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by:
Camille Mauclair
I THE PRECURSORS OF IMPRESSIONISM—THE BEGINNING OF THIS MOVEMENT AND THE ORIGIN OF ITS NAME It will be beyond the scope of this volume to give a complete history of French Impressionism, and to include all the attractive details to which it might lead, as regards the movement itself and the very curious epoch during which its evolution has taken place. The proportions of this book confine its aim...
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Past Memories Ceasing his restless walk up and down the room, Tom Swift strode to the window and gazed across the field toward the many buildings, where machines were turning out the products evolved from the brains of his father and himself. There was a worried look on the face of the young inventor, and he seemed preoccupied, as though thinking of something far removed from whatever it was his eyes...
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by:
Calvin Cutter
PREFACE. Agesilaus, king of Sparta, when asked what things boys should learn, replied, “Those which they will practise when they become men.” As health requires the observance of the laws inherent to the different organs of the human system, so not only boys, but girls, should acquire a knowledge of the laws of their organization. If sound morality depends upon the inculcation of correct principles...
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John Galsworthy
THE FIRST AND LAST "So the last shall be first, and the first last."—HOLY WRIT. It was a dark room at that hour of six in the evening, when just the single oil reading-lamp under its green shade let fall a dapple of light over the Turkey carpet; over the covers of books taken out of the bookshelves, and the open pages of the one selected; over the deep blue and gold of the coffee service on...
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Robert Heywood
THURSDAY, MAY 1ST, 1834. Left home quarter past 10 accompanied by my three friends, Mr. Baker, Mr. John Dean, and Cousin Peter Heywood. Took a walk to the Prince's Dock; found my berth situated near the foot of the staircase. Thence we proceeded to Mr. Thornley's office and met with the kindest attention. Received several letters of introduction and valuable information; recommended me to...
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