CHAPTER I. Most visitors to Brighton prefer the new pier; it is altogether a more magnificent affair. It is in the fashionable town, for fashion will go westward; it is larger, more commodious, more frequented. Go to the West Pier when you will, there is always something to see; beautiful women, pretty girls, fashionable belles promenade incessantly. There are times when it is crowded, and there is... more...

CHAPTER I. The public may possibly wonder why it is that they have never heard in the papers of the fate of the passengers of the Korosko. In these days of universal press agencies, responsive to the slightest stimulus, it may well seem incredible that an international incident of such importance should remain so long unchronicled. Suffice it that there were very valid reasons, both of a personal and... more...

PROLOGUE I never met Gabrielle Hewish. I suppose I should really call her by that name, for her marriage took the colour out of it as surely as if she had entered a nunnery, and adopted the frigid and sisterly label of some female saint. Nobody had ever heard of her husband before she married him, and nobody ever heard of Gabrielle afterwards, except those who were acquainted with the story of Arthur... more...

CHAPTER I An unresisted lady-killer is probably less aware that he roams the pastures in pursuit of a coquette, than is the diligent Arachne that her web is for the devouring lion. At an early age Clotilde von Rudiger was dissatisfied with her conquests, though they were already numerous in her seventeenth year, for she began precociously, having at her dawn a lively fancy, a womanly person, and... more...

I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that... more...

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1604. Enter CHORUS. CHORUS. Not marching now in fields of Thrasymene,Where Mars did mate the Carthaginians;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentlemen,—we must performThe form of Faustus'... more...

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1616. Enter CHORUS. CHORUS. Not marching in the fields of Thrasymene,Where Mars did mate the warlike Carthagens;Nor sporting in the dalliance of love,In courts of kings where state is overturn'd;Nor in the pomp of proud audacious deeds,Intends our Muse to vaunt her heavenly verse:Only this, gentles,—we must now performThe form of... more...

HOW OLIVER AND DORCAS JANE FOUND THE TRAIL From the time that he had first found, himself alone with them, Oliver had felt sure that the animals could come alive again if they wished. That was one blowy afternoon about a week after his father had been made night engineer and nobody had come into the Museum for several hours. Oliver had been sitting for some time in front of the Buffalo case, wondering... more...

CONCERNING MORALS There were fifty thousand acres within view of the ranchhouse—virgin grass land dotted with sage, running over a wide level, into little hills, and so on to an upland whose rise was so gradual that it could be seen only from a distance, best from the gallery of the ranchhouse. The first tang of autumn was in the sage-scented breeze that swept the county, and the tawny valley,... more...

PRELUDE The north wind is keening overhead. It minds me of the howl of a wolf-dog under the Arctic stars. Sitting alone by the glow of the great peat fire I can hear it high up in the braeside firs. It is the voice, inexorably scornful, of the Great White Land. Oh, I hate it, I hate it! Why cannot a man be allowed to forget? It is near ten years since I joined the Eager Army. I have travelled: I have... more...