Why Not? At three o’clock this afternoon Evelyn Wastneys died. I am Evelyn Wastneys, and I died, standing at the door of an old country home in Ireland, with my hands full of ridiculous little silver shoes and horseshoes, and a Paris hat on my head, and a trembling treble voice whispering in my ear:— “Good-bye, Evelyn darling—darling! Thank you—thank you for all you have been to me! Oh,... more...

Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. Her breath came fast in little sobbing pants. Her dainty shoes were soiled with dust and there was a great tear in her skirt. Very slowly, very fearfully, she turned her head. Her cheeks were the colour of chalk, her eyes were filled with terror. If a cart were coming, or those labourers in... more...

PREFATORY NOTE “OF making many books there is no end.” Surely, the weary observation of the sage must have an especial application to the literature of Song. One could not number the books—anatomical, physiological, philosophical—on the Voice. A spacious library could easily be furnished with “Methods” of Singing. Works treating of the laws governing the effective interpretation of... more...

In offering this work to the public the publishers wish to lay before those who sing or who are about to study singing, the simple, fundamental rules of the art based on common sense. The two greatest living exponents of the art of singing—Luisa Tetrazzini and Enrico Caruso—have been chosen as examples, and their talks on singing have additional weight from the fact that what they have to say has... more...

MY PURPOSE My purpose is to discuss simply, intelligibly, yet from a scientific point of view, the sensations known to us in singing, and exactly ascertained in my experience, by the expressions "singing open," "covered," "dark," "nasal," "in the head," or "in the neck," "forward," or "back." These expressions correspond to our sensations... more...

A peculiar gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the... more...

PREFACE TO THE SECOND EDITION. One of the most encouraging signs of the growth of musical taste and understanding at the present time as regards the singing of children, is the almost unanimous acquiescence of choirmasters, supervisors, teachers, and others in the idea that children should sing softly, and avoid loud and harsh tones; and the author ventures to hope that the first edition of this book... more...

Gentlemen, ersons of Eminence, Rank, Quality, and a distinguishing Taste in any particular Art or Science, are always in View of Authors who want a Patron for that Art or Science, which they endeavour to recommend and promote. No wonder therefore, I should have fix'd my Mind on You, to patronize the following Treatise. If there are Charms in Musick in general, all the reasonable World agrees, that... more...

CHAPTER I. ON HEALING BY ESCHAR. Having been led, by several circumstances, to try the effects of the Lunar Caustic in the treatment of Wounds and Ulcers, and having great reason, from these trials, to think that this remedy may be used with much advantage far more extensively than has hitherto been done, I lay the results of my experience before my medical brethren. A very natural mode of healing... more...

CHAPTER I HIS LIFE (BORN 1441: DIED 1523) It is a curious fact that, considering the number of documents which exist relating to Signorelli, and the paintings time has spared, so little should be known beyond the merest outline of his life. The very dates of his birth and death are indirectly acquired; the documents leave his youth and early manhood an absolute blank, and there are only two of his... more...