SYNOPSIS The opera is founded on Henri Murger's book "La Vie de Bohème." ACT I Rudolph and Marcel are sitting in the latter's attic-studio in the Quartier Latin, in Paris. Marcel is absorbed in his painting. The day is cold. They have no money to buy coal. Marcel takes a chair to burn it, when Rudolph remembers that he has a manuscript which has been rejected by the publishers and... more...

This little opera, composed by Weber in his early youth and first represented at Dresden under the composer's own direction, for a time fell into utter oblivion, but has lately been reproduced. Though short and unpretending it really deserves to be heard, the music is so full of sweetness, so fresh and pretty. The text is taken from a tale of the Arabian Thousand and One Nights, and though full of... more...

Page 3 PARSIFAL I The story of the Holy Grail and its guardians up to the moment of Parsifal's appearance upon the scene, is—we gather it from Gurnemanz's rehearsal of his memories to the youthful esquires,—as follows: At a time when the pure faith of Christ was in danger from the power and craft of His enemies, there came to its defender, Titurel, angelic messengers of the... more...

PARSIFAL. PART I THE COMING OF PARSIFAL Within a noble stretch of mountain woods,Primeval forest, deep and dark and grand,There rose a glorious castle towering high,—And at its foot a smiling, shimmering lakeLay in the still lap of a verdant glade.'T was daybreak, and the arrows of the dawnWere shot in golden glory through the trees,And from the castle came a trumpet blastTo waken life in all... more...

WAHNFRIED I visited Bayreuth on the 24th of July, 1883, and attended two crowded performances of Wagner's last work, Parsifal. In the morning I went into the beautiful gardens of the Neue Schloss. On either side of a lake, upon which float a couple of swans and innumerable water-lilies, the long parklike avenue of trees are vocal with wild doves, and the robin is heard in the adjoining thickets.... more...

RIENZI, Wagner was greatly troubled in the beginning of his career about the choice of subjects for his operas. His first famous work, ‘Rienzi,’ is founded upon the same historical basis as Bulwer's novel bearing the same name, and is a tragic opera in five acts. The composer wrote the poem and the first two acts of the score in 1838, during his residence at Riga, and from there carried it... more...

AUBER. Daniel François Esprit Auber, one of the most prominent representatives of the opera comique, was born at Caen, in Normandy, Jan. 29, 1784. He first attracted attention in the musical world by his songs and ballads, written when a mere boy. Young as he was, they were great favorites in French and English drawing-rooms, and their success diverted him from his commercial intentions to that... more...

PERICLES When we agreed, O Aspasia! in the beginning of our loves, to communicate our thoughts by writing, even while we were both in Athens, and when we had many reasons for it, we little foresaw the more powerful one that has rendered it necessary of late. We never can meet again: the laws forbid it, and love itself enforces them. Let wisdom be heard by you as imperturbably, and affection as... more...

A SEQUEL TO 'MURDER CONSIDERED AS ONE OF THE FINE ARTS.' [1] [1854.] It is impossible to conciliate readers of so saturnine and gloomy a class, that they cannot enter with genial sympathy into any gaiety whatever, but, least of all, when the gaiety trespasses a little into the province of the extravagant. In such a case, not to sympathize is not to understand; and the playfulness, which is... more...

I here present you, courteous reader, with the record of a remarkable period in my life: according to my application of it, I trust that it will prove not merely an interesting record, but in a considerable degree useful and instructive.  In that hope it is that I have drawn it up; and that must be my apology for breaking through that delicate and honourable reserve which, for the most part, restrains... more...