CHAPTER I French women of the sixteenth, seventeenth, and eighteenth centuries, when studied according to the distinctive phases of their influence, are best divided into three classes: those queens who, as wives, represented virtue, education, and family life; the mistresses, who were instigators of political intrigue, immorality, and vice; and the authoresses and other educated women, who constituted... more...

THOMAS CHATTERTON. In the history of English literature there is no name that inspires a profounder melancholy than that of the "marvellous boy" Chatterton, of whom it must be said that in genius he surpassed any one who ever died so young, and that in suffering he had larger experience than almost any one who has lived to old age. Shelley says of him:"'Mid others of less note came one... more...

CHAPTER I In Which Silken Ladies Ascend One Stairway, and a Lonely Wayfarer Ascends Another and Comes Face to Face With Old Friends. The big house, standing on a high hill which overlooked the city, showed in the moonlight the grotesque outlines of a composite architecture. Originally it had been a square substantial edifice of Colonial simplicity. A later and less restrained taste had aimed at a... more...

THE GREAT ADVENTURER When it was known that Mr. H. G. Wells had set forth to discover God, all amateurs of intellectual adventure were filled with pleasurable excitement and anticipation. For is not Mr. Wells the great Adventurer of latter-day literature? No quest is too perilous for him, no forlorn-hope too daring. He led the first explorers to the moon. He it was who lured the Martians to earth and... more...

I. THE WOMAN WITH THE DIAMOND I was, perhaps, the plainest girl in the room that night. I was also the happiest—up to one o'clock. Then my whole world crumbled, or, at least, suffered an eclipse. Why and how, I am about to relate. I was not made for love. This I had often said to myself; very often of late. In figure I am too diminutive, in face far too unbeautiful, for me to cherish... more...

THE SOWER Questions to arouse interest. What is this man doing? Why do you think so? What does he carry over his shoulder? in his bag? How does he sow the grain? What will be the result of his work? How do you think the grain will be covered? What can you see in the background? Do you think the oxen are plowing the field or covering the grain? why? What time of the day is it? What can you see in this... more...

CHAPTER I THE FIGHT IN THE FOREST Cold winter lay deep in the Canadian wilderness. Over it the moon was rising, like a red pulsating ball, lighting up the vast white silence of the night in a shimmering glow. Not a sound broke the stillness of the desolation. It was too late for the life of day, too early for the nocturnal roamings and voices of the creatures of the night. Like the basin of a great... more...

Pale moonlight spilled through the window and over the wedding gifts that crowded the little room. "And this mirror, darling?" Mark Carter asked. "Who sent it?" A sudden flicker of worry flashed across Elaine Duchard's lovely face. She bit her lower lip nervously. Pretended to inspect a great silver punchbowl that stood on a nearby table. "Who did you say sent the mirror?"... more...

PREFACE. The stories contained in the following pages are taken from the collections published by Afanasief, Khudyakof, Erlenvein, and Chudinsky. The South-Russian collections of Kulish and Rudchenko I have been able to use but little, there being no complete dictionary available of the dialect, or rather the language, in which they are written. Of these works that of Afanasief is by far the most... more...

THE PHEASANT As birds are to be considered throughout these pages from any standpoint but that of sport, much that is of interest in connection with a bird essentially the sportsman's must necessarily be omitted. At the same time, although this gorgeous creature, the chief attraction of social gatherings throughout the winter months, appeals chiefly to the men who shoot and eat it, it is not... more...