Mason was nervous. It was the nervousness of cold apprehension, not simply that which had become indigenous to his high-strung make-up. He was, in his way, afraid; afraid that he'd again come up with a wrong answer. He'd brought the tiny Scout too close to the Rim. Facing the facts squarely, he knew, even as he fingered the stud that would wrench them out of their R-curve, that he'd not... more...

INTRODUCTORY. The New York and Brooklyn Bridge was formally opened on Thursday, May 24th, 1883, with befitting pomp and ceremonial, in the presence of the largest multitude that ever gathered in the two cities. From the announcement by the Trustees of the date which was to mark the turning-over of the work to the public, it was evident that the popular demonstration would be upon a scale commensurate... more...

RENEWALS An alphabetical list under main headings (author, editor, compiler or title), of works in Class A for which the renewal copyright was registered during the period covered by this catalog. Joint authors, editors, etc., are represented by references leading to the respective main headings. Information relating to both the original and renewal registration is included in each entry. ABBOTT,... more...

A DEAL IN WHEAT I. THE BEAR—WHEAT AT SIXTY-TWO As Sam Lewiston backed the horse into the shafts of his backboard and began hitching the tugs to the whiffletree, his wife came out from the kitchen door of the house and drew near, and stood for some time at the horse's head, her arms folded and her apron rolled around them. For a long moment neither spoke. They had talked over the situation so... more...

M A B E L,A Sketch. DRAMATIS PERSONAE.      ORAN, a Speculative Philosopher.      MABEL, his Wife.      HER FATHER.     MAURICE, }     ROGER, } her brothers. MABEL. SCENE I—A Study. Books, pictures, and sculpture about the room, interspersed with chemical and other instruments, globes, &c.; a singular blending of science with art, indicating a delicate and... more...

INTRODUCTION The following narrative, written over eighty years ago, and now at last given to the world in 1906, is remarkable in many respects. It is remarkable for its subject, for its style, and for its literary history. The subject—a deathbed scene—might seem at first sight to be a trite and common one. The mise-en-scène—the Field of Waterloo—alone however redeems it from such a charge;... more...

CHAPTER I A WONDERFUL STORY "Well, what do you think of it, Mark?" asked Jack Darrow, as he laid aside a portion of a newspaper, covered with strange printed characters. "Great; isn't it?" "You don't mean to tell me that you believe that preposterous story, do you, Jack?" And Mark Sampson looked across the table at his companion in some astonishment. "Oh, I... more...

A HIDDEN LIFE. Proudly the youth, by manhood sudden crowned,Went walking by his horses to the plough,For the first time that morn. No soldier gayFeels at his side the throb of the gold hilt(Knowing the blue blade hides within its sheath,As lightning in the cloud) with more delight,When first he belts it on, than he that dayHeard still the clank of the plough-chains againstThe horses' harnessed... more...

CHAPTER I LISBETH LONGFROCK GOES TO HOEL FARM Bearhunter, the big, shaggy old dog at Hoel Farm, sat on the stone step in front of the house, looking soberly around the spacious dooryard. It was a clear, cold winter's day toward the beginning of spring, and the sun shone brightly over the glittering snow. In spite of the bright sunshine, however, Bearhunter would have liked to be indoors much... more...

A. A-, prefix (1), adding intensity to the notion of the verb.—AS. á for ar-, ar-, Goth. us-. For the quantity of the á see Sievers, 121. Cf. . A-, prefix (2), standing for A, prep., and for Icel. á; see . A-, prefix (3), standing for Of, prep.; see . A-, prefix (4), standing for AS. and-, against, in return, toward.—AS. and-, ond-, on- (proclitic). Cf. A-, prefix (5), standing for At, prep.,... more...