PREFACE. The following essay was written several years ago; but I have hitherto refrained from publishing it, lest, after having done so, I should find that more mature thought had modified the conclusions which the essay sets forth. Judging, however, that it is now more than ever improbable that I shall myself be able to detect any errors in my reasoning, I feel that it is time to present the latter... more...

Charles Frohman:an Appreciation By James M. Barrie The man who never broke his word. There was a great deal more to him, but every one in any land who has had dealings with Charles Frohman will sign that. I would rather say a word of the qualities that to his friends were his great adornment than about his colossal enterprises or the energy with which he heaved them into being; his energy that was like... more...

I Cannot find, upon the most impartial Retrospection of the Argument, any Reason to alter my Sentiments concerning it; and as it is a Matter of the greatest Importance, ’tis hoped that those who maintain the Doctrines of Election, &c. will afford it all the Weight and Consideration it deserves. But, if there be any among them, who will hear no Reason or Argument whatever, and are sure, only... more...

PROSPECTUS. The advantages of a correct judgment and refined taste in all matters connected with literature, are much greater than men in general imagine. The hateful passions have no greater enemies than a delicate taste and a discerning judgment, which give the possessor an interest in the virtues and perfections of others, and prompt him to admire, to cherish, and make them known to the world.... more...

Three White Ones. Tick, tap, tap—tap, ticker—ticker—tapper—tapper; tick—teck, tacker—tap went a typewriting machine, and scratch—scratch went two pens, in one of the minor offices connected with that vast wealth-producing industry known as the De Beers Diamond-Mines, where, seated at desk and table, three young men were hard at work, one manipulating the typewriter, one writing a letter,... more...

ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES. Though the term "tragedy" has from the first productions of Æschylus to the present time, been exclusively appropriated to actions of a serious nature and melancholy catastrophe, there is reason to believe that it originally included also exhibitions of a pleasant, or comic kind. The rude satires, and gross mummery which occupied the stage,... more...

rise and progress of the drama in greece—origin of tragedy—thespis—æschylus, “the father of the tragic art”—his astonishing talents—his death. It has been already remarked that at a very early period, considerably more than three thousand years ago, the Chinese and other nations in the east understood the rudiments of the dramatic art. In their crude, anomalous representations they... more...

THE WOLVES AND THE LAMB. ACT I. Scene.—MILLIKEN'S villa at Richmond; two drawing-rooms opening into one another. The late MRS. MILLIKEN'S portrait over the mantel-piece; bookcases, writing-tables, piano, newspapers, a handsomely furnished saloon. The back-room opens, with very large windows, on the lawn and pleasure-ground; gate, and wall—over which the heads of a cab and a carriage are... more...

THE THAMES AT SINODUN HILL Fresh water is almost the oldest thing on earth. While the rocks have been melted, the sea growing salter, and the birds and beasts perfecting themselves or degenerating, the fresh water has been always the same, without change or shadow of turning. So we find in it creatures which are inconceivably old, still living, which, if they did not belong to other worlds than ours,... more...

THE ROMAN DRAMA. In proportion as the Romans yielded to the habit of imitating the Greeks, they advanced into refinement, and receded from their characteristic roughness and ferocity. Their pace, however, was very slow, for imagining rudeness and brutality to be synonimous with independence, they indulged and prided themselves in an adherence to their original coarseness and despised the manners of the... more...