THE ART OF DISCRIMINATION The world divides itself into people who can discriminate and people who cannot discriminate. This is the ultimate test of sensitiveness; and sensitiveness alone separates us and unites us. We all create, or have created for us by the fatality of our temperament, a unique and individual universe. It is only by bringing into light the most secret and subtle elements of this... more...

CHAPTER I. THE YOUNG EMIGRANT. [Illustration] The first recollections of Fernando Stevens, the hero of this romance, were of "moving." He was sitting on his mother's knee. How long he had been sitting there he did not know, nor did he know how he came there; but he knew that it was his mother and that they were in a great covered wagon, and that he had a sister and brother, older than... more...

CHAPTER I. Where the San Leandro turnpike stretches its dusty, hot, and interminable length along the valley, at a point where the heat and dust have become intolerable, the monotonous expanse of wild oats on either side illimitable, and the distant horizon apparently remoter than ever, it suddenly slips between a stunted thicket or hedge of "scrub oaks," which until that moment had been... more...

CHAPTER I. Introductory. In the following pages an attempt is made to fit together facts derived, on the one hand, from those portions of the Orkneyinga, St. Magnus and Hakonar Sagas which relate to the extreme north end of the mainland of Scotland, and, on the other hand, from such scanty English and Scottish records, bearing on its history, as have survived, so as to form a connected account, from... more...

CHAPTER I THE TUCKED-IN DAY Maizie wanted to sleep a little longer, but though the clock had but just chimed six Suzanna was up and had drawn the window curtain letting in a flood of sunshine. Maizie lay watching her sister, her gray eyes still blurred with sleep; not wide and interested as a little later they would be. Her soft little features expressing her naïve personality seemed unsubtle, yet of... more...

"Suzy, Suzy, Suzy!" Whit Clayborne looked at the luminous face of the bulkhead clock for the hundredth time that day. Sweat started out on his forehead, and he gripped his face with a convulsed hand, moaning in helpless anguish. "Suzy, Suzy, Suzy!" The clock clicked impersonally in the darkness, and Whit moaned again. The cold. The darkness. The quiet. And the solitude. But there was... more...

CHAPTER I WHY VROUW BOTMAR TELLS HER TALE It is a strange thing that I, an old Boer vrouw, should even think of beginning to write a book when there are such numbers already in the world, most of them worthless, and many of the rest a scandal and offence in the face of the Lord. Notably is this so in the case of those called novels, which are stiff as mealie-pap with lies that fill the heads of silly... more...

The lights that wink across the sodden moor Like phosphorescent eyes that beckon men To risk fell footsteps in the treacherous fen, And sink in loathsome muck, without a spoor— What ghosts of former days, what dread allure, Abides within this subterranean den? Or, reaching out, snares victims to its ken, With wraith-like fingers, to a peril sure? 'Tis told that evil things lurk out of sight With... more...

INTRODUCTION ANTON TCHEKOFF THE last years of the nineteenth century were for Russia tinged with doubt and gloom. The high-tide of vitality that had risen during the Turkish war ebbed in the early eighties, leaving behind it a dead level of apathy which lasted until life was again quickened by the high interests of the Revolution. During these grey years the lonely country and stagnant provincial towns... more...

OVERTURE For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say "I'm going to sleep." And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the... more...