PREFACE The following stories are intended for children of various ages. The introductory chapter, 'A Talk about Saints,' and the stories marked with an asterisk in the Table of Contents, were written first for an eager listener of nine years old. But as the book has grown longer the age of its readers has grown older for two reasons: First: because it was necessary to take for granted some... more...

"The silent workings, and still more the explosions, of human passion which bring to light the darker elements of man's nature present to the philosophical observer considerations of intrinsic interest; while to the jurist, the study of human nature and human character with its infinite varieties, especially as affecting the connection between motive and action, between irregular desire or... more...

INTRODUCTION There are other manifestations of greatness than to relieve suffering or to wreck an empire. Julius Cæsar and John Howard are not the only heroes who have smiled upon the world. In the supreme adaptation of means to an end there is a constant nobility, for neither ambition nor virtue is the essential of a perfect action. How shall you contemplate with indifference the career of an artist... more...

'The first poetess I can recollect is Mrs. Barbauld, with whose works I became acquainted—before those of any other author, male or female—when I was learning to spell words of one syllable in her story-books for children.' So says Hazlitt in his lectures on living poets. He goes on to call her a very pretty poetess, strewing flowers of poesy as she goes. The writer must needs, from the... more...

THE DIARY OF AN OLD SOUL. 1. LORD, what I once had done with youthful might,Had I been from the first true to the truth,Grant me, now old, to do—with better sight,And humbler heart, if not the brain of youth;So wilt thou, in thy gentleness and ruth,Lead back thy old soul, by the path of pain,Round to his best—young eyes and heart and brain. 2. A dim aurora rises in my east,Beyond the line of jagged... more...

CHAPTER I. The man who, having witnessed and enjoyed the earliest performance of Thespis and his company, followed the travelling theatre of that primeval actor and manager, and attended a second and a third histrionic exhibition, has good claim to be accounted the first playgoer. For recurrence is involved in playgoing, until something of a habit is constituted. And usually, we may note, the playgoer... more...

THE ATHEIST "I worship no one," cried the atheist. "Divinities are senseless, useless, barriers to progress and ambition, a curse to man. Gods, fetiches, graven images, idols—faugh!" On the atheist's work-table stood the photograph of a beautiful girl. II The Devil, finishing his seidel of Würzburger, eyed the young man quizzically. "What would you of me?" he said.... more...

FOREWORD The man should have youth and strength who seeks adventure in the wide, waste spaces of the earth, in the marshes, and among the vast mountain masses, in the northern forests, amid the steaming jungles of the tropics, or on the deserts of sand or of snow. He must long greatly for the lonely winds that blow across the wilderness, and for sunrise and sunset over the rim of the empty world. His... more...

To the Reader. PHTHONIVS a famous man, wrotein Greke of soche declamacions, to en-structe the studentes thereof, with all fa-cilitée to grounde in them, a moste plenti-ous and riche vein of eloquence. No manis able to inuente a more profitable waieand order, to instructe any one in the ex-quisite and absolute perfeccion, of wisedome and eloquence,then Aphthonius Quintilianus and Hermogenes. Tullie... more...

CHAPTER I THE CROW’S NEST “You never told me how you happened to name her Blythe.” The two old friends, Mr. John DeWitt and Mrs. Halliday, were reclining side by side in their steamer-chairs, lulled into a quiescent mood by the gentle, scarcely perceptible, motion of the vessel. It was an exertion to speak, and Mrs. Halliday replied evasively, “Do you like the name?” “For Blythe,—yes. But... more...