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Under the Rose



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A NEST OF NINNIES

"A song, sweet Jacqueline!"

"No, no—"

"Jacqueline!—Jacqueline!—"

"No more, I say—"

A jingle of tinkling bells mingled with the squeak of a viola; the guffaws of a rompish company blended with the tuneless chanting of discordant minstrels, and the gray parrot in its golden cage, suspended from one of the oaken beams of the ceiling, shook its feathers for the twentieth time and screamed vindictively at the roguish band.

Jingle, jingle, went the merry bells; squeak, squeak, the tightened strings beneath the persistent scraping of the rosined bow. On his throne in Fools' hall, Triboulet, the king's hunchback, leaned complacently back, his eyes bent upon a tapestry but newly hung in that room, the meeting place of jesters, buffoons and versifiers.

"We appeal to Triboulet—"

"Triboulet!"

A girl's silvery laugh rang out.

"Triboulet!"

Again the derisive musical tones.

Upon his chair of state, the dwarf did not answer; professed not to hear. By the uncertain glimmer of torches and the flickering glow of the fire he was engaged in tracing a resemblance to himself in the central figure of the composition wrought in threads of silk—Momus, fool by patent to Jove, thrust from Olympus and greeting the earth-born with a great grin.

"An excellent likeness!" muttered Triboulet. "A very pretty likeness!" he continued, swelling with pride.

And truly it was said that sprightly ladies, working between love and pleasure times, drew from the court fool for their conception of the mythological buffoon, reproducing Triboulet's great head; his mouth, proportionately large; his protruding eyes; his bowed back, short, twisted legs and long, muscular arms; and his nose far larger than that of Francis, who otherwise had the largest nose in the kingdom.

But how could they depict the meanness of soul that dwelt in that extraordinary shell? The blithesome tapestry-makers, albeit adepts in form, grace and harmony, could not touch the subjectiveness of existence. Thus it was a double pleasure for Triboulet to see, limned in well-chosen hues, his form, the crookedness of which he was as proud as any courtier of his symmetry and beauty, the while his dark, vain soul lay concealed behind the mask of merry deformity and laughing monstrosity.

"Would your Majesty like to command me?"

The mocking feminine voice recalled Triboulet from his pleasing contemplation.

"No, no!" he answered, sullenly, and condescended to turn his glance upon the assemblage.

Over a goodly gathering of jesters, buffoons, poets, and even philosophers, he lorded it, holding his head as high as his hump would permit and conscious of his own place in the esteem of the king. Not long ago the monarch had laughed and applauded when Triboulet had twisted his features into a horrid grimace, and since then the dwarf's little heart had expanded with such arrogance, it seemed to him he was almost Francis himself as he sat there on Francis' sometime throne; and these Sir Jollys were his subjects all—Marot, Caillette, Brusquet, Villot, and the lesser lights, jesters of barons, cardinals and even bishops!...