The Mirror of Literature, Amusement, and Instruction Volume 20, No. 574, November 3, 1832 Title

Excerpt

LYDFORD BRIDGE.

This is an interesting scene from the wild and wonderful in Nature. Its romantic luxuriance must win the attention of the artist, and the admiration of the less wistful beholder; while the philosophic mind, unaccustomed to vulgar wonder, may seek in its formation the cause of some of the most important changes of the earth's surface. Our esteemed friend and correspondent Vyvyan, is probably familiar with the locality of Lydford: his fancy might people it with pixies, and group its scenery into a kind of topographical romance; probably not unaided by its proximity to Dartmoor.

Lydford is situated about seven miles north of Tavistock. It is, in the words of its topographers, a poor decayed village, consisting of rude cottages. It was formerly a place of importance: for in Domesday Book, it is rated in the same manner and at the same time with London. Some remains of its ancient importance may still be seen in a square tower, or keep of a castle, which was formerly used as a court and a prison, where those criminals were tried and confined, who offended against the Stannary Laws. This building is alluded to by William Browne—

They have a castle on a hill;

I took it for an old windmill,

The vane's blown off by weather;

To lie therein one night, its guest,

'Twere better to be ston'd and prest,

Or hang'd—now choose you whether.

The scenery round the village is singularly picturesque: one of its most prominent objects, The Bridge is represented in the Engraving. It bears great analogy, in situation and character, to the celebrated Devil's Bridge in Wales. It consists of one rude arch, thrown across a narrow, rocky chasm, which sinks nearly eighty feet from the level of the road. At the bottom of this channel the small river Lyd is heard rattling through its contracted course. The singularity of this scene is not perceived in merely passing over the bridge: to appreciate its character, and comprehend its awfully impressive effects, it is necessary to see the bridge, the chasm, and the roaring water, from different projecting crags which impend over the river. At a little distance below the bridge, "the fissure gradually spreads its rocky jaws; the bottom opens; and, instead of the dark precipices which have hitherto overhung and obscured the struggling river, it now emerges into day, and rolls its murmuring current through a winding valley, confined within magnificent banks, darkened with woods, which swell into bold promontories, or fall back into sweeping recesses, till they are lost to the eye in distance. Thickly shaded by trees, which shoot out from the sides of the rent, the scene at Lydford Bridge is not so terrific as it would have been, had a little more light been let in upon the abyss, just sufficient to produce a darkness visible. As it is, however, the chasm cannot be regarded without shuddering; nor will the stoutest heart meditate unappalled upon the dreadful anecdotes connected with the spot."

Scenes of this description frequently give rise to marvellous stories; and Lydford Bridge has furnished many themes for the gossip's tongue....