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The Man Who Couldn't Sleep
by: Frank Snapp
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Description:
Excerpt
CHAPTER I
RUNNING OUT OF PAY-DIRT
To begin with, I am a Canadian by birth, and thirty-three years old. For nine of those years I have lived in New York. And by my friends in that city I am regarded as a successful author.
There was a time when I even regarded myself in much the same light. But that period is past. I now have to face the fact that I am a failure. For when a man is no longer able to write he naturally can no longer be reckoned as an author.
I have made the name of Witter Kerfoot too well known, I think, to explain that practically all of my stories have been written about Alaska. Just why I resorted to that far-off country for my settings is still more or less a mystery to me. Perhaps it was merely because of its far-offness. Perhaps it was because the editors remembered that I came from the land of the beaver and sagely concluded that a Canadian would be most at home in writing about the Frozen North. At any rate, when I romanced about the Yukon and its ice-bound trails they bought my stories, and asked for more.
And I gave them more. I gave them blood-red fiction about gun-men and claim-jumpers and Siwash queens and salmon fisheries. I gave them supermen of iron, fighting against cold and hunger, and snarling, always snarling, at their foes. I gave them oratorical young engineers with clear-cut features and sinews of steel, battling against the forces of hyperborean evil. I gave them fist-fights that caused my books to be discreetly shut out of school-libraries yet brought in telegrams from motion-picture directors for first rights. I gave them enough gun-play to shoot Chilcoot Pass into the middle of the Pacific, and was publicly denominated as the apostle of the Eye-Socket School, and during the three-hundred-night run of my melodrama, The Pole Raiders, even beheld on the Broadway sign-boards an extraordinarily stalwart picture of myself in a rakish Stetson and a flannel shirt very much open at the throat, with a cow-hide holster depending from my Herculean waist-line and a very dreadful-looking six-shooter protruding from the open top of that belted holster. My publishers spoke of me, for business reasons, as the Interpreter of the Great Northwest. And I exploited that territory with the industry of a badger. In my own way, I mined Alaska. And it brought me in a very respectable amount of pay-dirt.
But I knew nothing about Alaska, I had never even seen the country. I "crammed up" on it, of course, the same as we used to cram up for a third-form examination in Latin grammar. I perused the atlases and sent for governmental reports, and pored over the R.N.W.M.P. Blue Books, and gleaned a hundred or so French-Canadian names for half-breed villains from a telephone-directory for the city of Montreal. But I knew no more about Alaska than a Fiji Islander knows about the New York Stock Exchange. And that was why I could romance so freely, so magnificently, about it!
I was equally prodigal of blood, I suppose, because I had never seen the real thing flowâexcept in the case of my little niece, when her tonsils had been removed and a very soft-spoken nurse had helped me out of the surgery and given me a drink of ice-water, after telling me it would be best to keep my head as low as possible until I was feeling better....