Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
The Grain of Dust
Description:
Excerpt
I
Into the offices of Lockyer, Sanders, Benchley, Lockyer & Norman, corporation lawyers, there drifted on a December afternoon a girl in search of work at stenography and typewriting. The firm was about the most important and most famousâradical orators often said infamousâin New York. The girl seemed, at a glance, about as unimportant and obscure an atom as the city hid in its vast ferment. She was blondeâtawny hair, fair skin, blue eyes. Aside from this hardly conclusive mark of identity there was nothing positive, nothing definite, about her. She was neither tall nor short, neither fat nor thin, neither grave nor gay. She gave the impression of a young person of the feminine genderâthat, and nothing more. She was plainly dressed, like thousands of other girls, in darkish blue jacket and skirt and white shirt waist. Her boots and gloves were neat, her hair simply and well arranged. Perhaps in these respectsâin neatness and tasteâshe did excel the average, which is depressingly low. But in a city where more or less strikingly pretty women, bent upon being seen, are as plentiful as the blackberries of Kentucky's Julyâin New York no one would have given her a second look, this quiet young woman screened in an atmosphere of self-effacement.
She applied to the head clerk. It so happened that need for another typewriter had just arisen. She got a trial, showed enough skill to warrant the modest wage of ten dollars a week; she became part of the office force of twenty or twenty-five young men and women similarly employed. As her lack of skill was compensated by industry and regularity, she would have a job so long as business did not slacken. When it did, she would be among the first to be let go. She shrank into her obscure niche in the great firm, came and went in mouse-like fashion, said little, obtruded herself never, was all but forgotten.
Nothing could have been more commonplace, more trivial than the whole incident. The name of the girl was HallowellâMiss Hallowell. On the chief clerk's pay roll appeared the additional information that her first name was Dorothea. The head office boy, in one of his occasional spells of "freshness," addressed her as Miss Dottie. She looked at him with a puzzled expression; it presently changed to a slight, sweet smile, and she went about her business. There was no rebuke in her manner, she was far too self-effacing for anything so positive as the mildest rebuke. But the head office boy blushed awkwardlyâwhy he did not know and could not discover, though he often cogitated upon it. She remained Miss Hallowell.
Opposites suggest each other. The dimmest personality in those offices was the girl whose name imaged to everyone little more than a pencil, notebook, and typewriting machine. The vividest personality was Frederick Norman. In the list of names upon the outer doors of the firm's vast labyrinthine suite, on the seventeenth floor of the Syndicate Building, his name came lastâand, in the newest lettering, suggesting recentness of partnership....