Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 47
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 27
- Computers 4
- Cooking 94
- Crafts & Hobbies 3
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 39
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
The Four Horsemen of the Apocalypse
Categories:
Description:
Excerpt
CHAPTER I
THE TRYST
(In the Garden of the Chapelle Expiatoire)
They were to have met in the garden of the Chapelle Expiatoire at five o'clock in the afternoon, but Julio Desnoyers with the impatience of a lover who hopes to advance the moment of meeting by presenting himself before the appointed time, arrived an half hour earlier. The change of the seasons was at this time greatly confused in his mind, and evidently demanded some readjustment.
Five months had passed since their last interview in this square had afforded the wandering lovers the refuge of a damp, depressing calmness near a boulevard of continual movement close to a great railroad station. The hour of the appointment was always five and Julio was accustomed to see his beloved approaching by the reflection of the recently lit street lamps, her figure enveloped in furs, and holding her muff before her face as if it were a half-mask. Her sweet voice, greeting him, had breathed forth a cloud of vapor, white and tenuous, congealed by the cold. After various hesitating interviews, they had abandoned the garden. Their love had acquired the majestic importance of acknowledged fact, and from five to seven had taken refuge in the fifth floor of the rue de la Pompe where Julio had an artist's studio. The curtains well drawn over the double glass windows, the cosy hearth-fire sending forth its ruddy flame as the only light of the room, the monotonous song of the samovar bubbling near the cups of tea—all the seclusion of life isolated by an idolizing love—had dulled their perceptions to the fact that the afternoons were growing longer, that outside the sun was shining later and later into the pearl-covered depths of the clouds, and that a timid and pallid Spring was beginning to show its green finger tips in the buds of the branches suffering the last nips of Winter—that wild, black boar who so often turned on his tracks.
Then Julio had made his trip to Buenos Aires, encountering in the other hemisphere the last smile of Autumn and the first icy winds from the pampas. And just as his mind was becoming reconciled to the fact that for him Winter was an eternal season—since it always came to meet him in his change of domicile from one extreme of the planet to the other—lo, Summer was unexpectedly confronting him in this dreary garden!
A swarm of children was racing and screaming through the short avenues around the monument. On entering the place, the first thing that Julio encountered was a hoop which came rolling toward his legs, trundled by a childish hand. Then he stumbled over a ball. Around the chestnut trees was gathering the usual warm-weather crowd, seeking the blue shade perforated with points of light. Many nurse-maids from the neighboring houses were working and chattering here, following with indifferent glances the rough games of the children confided to their care. Near them were the men who had brought their papers down into the garden under the impression that they could read them in the midst of peaceful groves....