Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Rosmersholm
by: Henrik Ibsen
Categories:
Description:
Excerpt
ACT 1
(SCENE—The sitting-room at Rosmersholm; a spacious room, comfortably furnished in old-fashioned style. In the foreground, against the right-hand wall, is a stove decorated with sprigs of fresh birch and wild flowers. Farther back, a door. In the back wall folding doors leading into the entrance hall. In the left-hand wall a window, in front of which is a stand filled with flowers and plants. Near the stove stand a table, a couch and an easy-chair. The walls are hung round with portraits, dating from various periods, of clergymen, military officers and other officials in uniform. The window is open, and so are the doors into the lobby and the outer door. Through the latter is seen an avenue of old trees leading to a courtyard. It is a summer evening, after sunset. REBECCA WEST is sitting by the window crocheting a large white woollen shawl, which is nearly completed. From time to time she peeps out of window through the flowers. MRS. HELSETH comes in from the right.)
Mrs. Helseth. Hadn't I better begin and lay the table for supper, miss?
Rebecca. Yes, do. Mr. Rosmer ought to be in directly.
Mrs. Helseth. Isn't there a draught where you are sitting, miss?
Rebecca. There is a little. Will you shut up, please? (MRS. HELSETH goes to the hall door and shuts it. Then she goes to the window, to shut it, and looks out.)
Mrs. Helseth. Isn't that Mr. Rosmer coming there?
Rebecca. Where? (Gets up.) Yes, it is he. (Stands behind the window-curtain.) Stand on one side. Don't let him catch sight of us.
Mrs. Helseth (stepping back). Look, miss—he is beginning to use the mill path again.
Rebecca. He came by the mill path the day before yesterday too. (Peeps out between the curtain and the window-frame). Now we shall see whether—
Mrs. Helseth. Is he going over the wooden bridge?
Rebecca. That is just what I want to see. (After a moment.) No. He has turned aside. He is coming the other way round to-day too. (Comes away from the window.) It is a long way round.
Mrs. Helseth. Yes, of course. One can well understand his shrinking from going over that bridge. The spot where such a thing has happened is—
Rebecca (folding up her work). They cling to their dead a long time at Rosmersholm.
Mrs. Helseth. If you ask me, miss, I should say it is the dead that cling to Rosmersholm a long time.
Rebecca (looking at her). The dead?
Mrs. Helseth. Yes, one might almost say that they don't seem to be able to tear themselves away from those they have left behind.
Rebecca. What puts that idea into your head?
Mrs. Helseth. Well, otherwise I know the White Horses would not be seen here.
Rebecca. Tell me, Mrs. Helseth—what is this superstition about the White Horses?
Mrs. Helseth. Oh, it is not worth talking about. I am sure you don't believe in such things, either.
Rebecca. Do you believe in them?
Mrs. Helseth (goes to the window and shuts it). Oh, I am not going to give you a chance of laughing at me, miss. (Looks out.) See—is that not Mr. Rosmer out on the mill path again...?