Diana of the Crossways - Complete

Excerpt

CHAPTER I. OF DIARIES AND DIARISTS TOUCHING THE HEROINE

Among the Diaries beginning with the second quarter of our century, there is frequent mention of a lady then becoming famous for her beauty and her wit: 'an unusual combination,' in the deliberate syllables of one of the writers, who is, however, not disposed to personal irony when speaking of her. It is otherwise in his case and a general fling at the sex we may deem pardonable, for doing as little harm to womankind as the stone of an urchin cast upon the bosom of mother Earth; though men must look some day to have it returned to them, which is a certainty; and indeed full surely will our idle-handed youngster too, in his riper season; be heard complaining of a strange assault of wanton missiles, coming on him he knows not whence; for we are all of us distinctly marked to get back what we give, even from the thing named inanimate nature.

The 'LEAVES FROM THE DIARY OF HENRY WILMERS' are studded with examples of the dinner-table wit of the time, not always worth quotation twice; for smart remarks have their measured distances, many requiring to be a brule pourpoint, or within throw of the pistol, to make it hit; in other words, the majority of them are addressed directly to our muscular system, and they have no effect when we stand beyond the range. On the contrary, they reflect sombrely on the springs of hilarity in the generation preceding us; with due reserve of credit, of course, to an animal vivaciousness that seems to have wanted so small an incitement. Our old yeomanry farmers—returning to their beds over ferny commons under bright moonlight from a neighbour's harvest-home, eased their bubbling breasts with a ready roar not unakin to it. Still the promptness to laugh is an excellent progenitorial foundation for the wit to come in a people; and undoubtedly the diarial record of an imputed piece of wit is witness to the spouting of laughter. This should comfort us while we skim the sparkling passages of the 'Leaves.' When a nation has acknowledged that it is as yet but in the fisticuff stage of the art of condensing our purest sense to golden sentences, a readier appreciation will be extended to the gift: which is to strike not the dazzled eyes, the unanticipating nose, the ribs, the sides, and stun us, twirl us, hoodwink, mystify, tickle and twitch, by dexterities of lingual sparring and shuffling, but to strike roots in the mind, the Hesperides of good things. We shall then set a price on the 'unusual combination.' A witty woman is a treasure; a witty Beauty is a power. Has she actual beauty, actual wit?—not simply a tidal material beauty that passes current any pretty flippancy or staggering pretentiousness? Grant the combination, she will appear a veritable queen of her period, fit for homage; at least meriting a disposition to believe the best of her, in the teeth of foul rumour; because the well of true wit is truth itself, the gathering of the precious drops of right reason, wisdom's lightning; and no soul possessing and dispensing it can justly be a target for the world, however well armed the world confronting her....