Occasionally the art of narrative may be improved by borrowing the method of the movies. Another night has passed, and we are called upon to imagine the watery sunlight of a mild winter afternoon filtering through bare trees on the heads of a multitude. A large portion of Hampton Common is black with the people of sixteen nationalities who have gathered there, trampling down the snow, to listen... more...

CHAPTER I In this modern industrial civilization of which we are sometimes wont to boast, a certain glacier-like process may be observed. The bewildered, the helpless—and there are many—are torn from the parent rock, crushed, rolled smooth, and left stranded in strange places. Thus was Edward Bumpus severed and rolled from the ancestral ledge, from the firm granite of seemingly stable and lasting... more...

ACT I SCENE: The library of ASHER PINDAR'S house in Foxon Falls, a New Englandvillage of some three thousand souls, over the destinies of whichthe Pindars for three generations have presided. It is a large,dignified room, built early in the nineteenth century, with whitedoors and gloss woodwork. At the rear of the stage,—which is thefront of the house,—are three high windows with small, square... more...

CHAPTER I One day, in the November following William Wetherell's death, Jethro Bass astonished Coniston by moving to the little cottage in the village which stood beside the disused tannery, and which had been his father's. It was known as the tannery house. His reasons for this step, when at length discovered, were generally commended: they were, in fact, a disinclination to leave a girl of... more...

RETRIBUTION I The Bishop's House was a comfortable, double dwelling of a smooth, bright red brick and large, plate-glass windows, situated in a plot at the western end of Waverley Place. It had been bought by the Diocese in the nineties, and was representative of that transitional period in American architecture when the mansard roof had been repudiated, when as yet no definite types had emerged... more...