Winston Churchill

INTRODUCING A CAPITALIST A cordon of blue regiments surrounded the city at first from Carondelet to North St. Louis, like an open fan. The crowds liked best to go to Compton Heights, where the tents of the German citizen-soldiers were spread out like so many slices of white cake on the green beside the city's reservoir. Thence the eye stretched across the town, catching the dome of the Court House... more...

RETRIBUTION I The Bishop's House was a comfortable, double dwelling of a smooth, bright red brick and large, plate-glass windows, situated in a plot at the western end of Waverley Place. It had been bought by the Diocese in the nineties, and was representative of that transitional period in American architecture when the mansard roof had been repudiated, when as yet no definite types had emerged... more...

CHAPTER I One day, in the November following William Wetherell's death, Jethro Bass astonished Coniston by moving to the little cottage in the village which stood beside the disused tannery, and which had been his father's. It was known as the tannery house. His reasons for this step, when at length discovered, were generally commended: they were, in fact, a disinclination to leave a girl of... more...

ACT I SCENE: The library of ASHER PINDAR'S house in Foxon Falls, a New Englandvillage of some three thousand souls, over the destinies of whichthe Pindars for three generations have presided. It is a large,dignified room, built early in the nineteenth century, with whitedoors and gloss woodwork. At the rear of the stage,—which is thefront of the house,—are three high windows with small, square... more...

CHAPTER I In this modern industrial civilization of which we are sometimes wont to boast, a certain glacier-like process may be observed. The bewildered, the helpless—and there are many—are torn from the parent rock, crushed, rolled smooth, and left stranded in strange places. Thus was Edward Bumpus severed and rolled from the ancestral ledge, from the firm granite of seemingly stable and lasting... more...

Occasionally the art of narrative may be improved by borrowing the method of the movies. Another night has passed, and we are called upon to imagine the watery sunlight of a mild winter afternoon filtering through bare trees on the heads of a multitude. A large portion of Hampton Common is black with the people of sixteen nationalities who have gathered there, trampling down the snow, to listen... more...

THE ARRAIGNMENT I Looking backward, Hodder perceived that he had really come to the momentous decision of remaining at St. John's in the twilight of an evening when, on returning home from seeing Kate Marcy at Mr. Bentley's he had entered the darkening church. It was then that his mission had appeared to him as a vision. Every day, afterward, his sense and knowledge of this mission had grown... more...

Life had indeed become complicated, paradoxical. He, John Hodder, a clergyman, rector of St. John's by virtue of not having resigned, had entered a restaurant of ill repute, had ordered champagne for an abandoned woman, and had no sense of sin when he awoke the next morning! The devil, in the language of orthodox theology, had led him there. He had fallen under the influence of the tempter of his... more...

A MAN OF DESTINY I was picked up and thrown into the brigantine's long-boat with a head and stomach full of salt water, and a heart as light as spray with the joy of it all. A big, red-bearded man lifted my heels to drain me. "The mon's deid," said he. "Dead!" cried I, from the bottom-board. "No more dead than you!" I turned over so lustily that he dropped my feet, and... more...

THE CHOICE I Pondering over Alison's note, he suddenly recalled and verified some phrases which had struck him that summer on reading Harnack's celebrated History of Dogma, and around these he framed his reply. "To act as if faith in eternal life and in the living Christ was the simplest thing in the world, or a dogma to which one has to submit, is irreligious. . . It is Christian to pray... more...