(The necessity of a work on Snobs, demonstrated from History, and proved by felicitous illustrations:—I am the individual destined to write that work—My vocation is announced in terms of great eloquence—I show that the world has been gradually preparing itself for the WORK and the MAN—Snobs are to be studied like other objects of Natural Science, and are a part of the Beautiful (with a large... more...

In a certain quiet and sequestered nook of the retired village of London—perhaps in the neighbourhood of Berkeley Square, or at any rate somewhere near Burlington Gardens—there was once a house of entertainment called the "Bootjack Hotel." Mr. Crump, the landlord, had, in the outset of life, performed the duties of Boots in some inn even more frequented than his own, and, far from being... more...

A BIBLIOGRAPHICAL NOTE Barry Lyndon—far from the best known, but by some critics acclaimed as the finest, of Thackeray's works—appeared originally as a serial a few years before VANITY FAIR was written; yet it was not published in book form, and then not by itself, until after the publication of VANITY FAIR, PENDENNIS, ESMOND and THE NEWCOMES had placed its author in the forefront of the... more...

CHAPTER I. INTRODUCING TO THE READER THE CHIEF PERSONAGE OF THIS NARRATIVE. At that famous period of history, when the seventeenth century (after a deal of quarrelling, king-killing, reforming, republicanising, restoring, re-restoring, play-writing, sermon-writing, Oliver-Cromwellising, Stuartising, and Orangising, to be sure) had sunk into its grave, giving place to the lusty eighteenth; when Mr.... more...

PREFACE If this kind of composition, of which the two years' product is now laid before the public, fail in art, as it constantly does and must, it at least has the advantage of a certain truth and honesty, which a work more elaborate might lose. In his constant communication with the reader, the writer is forced into frankness of expression, and to speak out his own mind and feelings as they urge... more...

CHAPTER I. OF THE LOVES OF MR. PERKINS AND MISS GORGON, AND OF THE TWO GREAT FACTIONS IN THE TOWN OF OLDBOROUGH. "My dear John," cried Lucy, with a very wise look indeed, "it must and shall be so. As for Doughty Street, with our means, a house is out of the question. We must keep three servants, and Aunt Biggs says the taxes are one-and-twenty pounds a year." "I have seen a sweet... more...

CHAPTER I. The Overture—After which the Curtain rises upon a Drinking Chorus A crow, who had flown away with a cheese from a dairy-window, sate perched on a tree looking down at a great big frog in a pool underneath him. The frog's hideous large eyes were goggling out of his head in a manner which appeared quite ridiculous to the old blackamoor, who watched the splay-footed slimy wretch with... more...

THE WOLVES AND THE LAMB. ACT I. Scene.—MILLIKEN'S villa at Richmond; two drawing-rooms opening into one another. The late MRS. MILLIKEN'S portrait over the mantel-piece; bookcases, writing-tables, piano, newspapers, a handsomely furnished saloon. The back-room opens, with very large windows, on the lawn and pleasure-ground; gate, and wall—over which the heads of a cab and a carriage are... more...

I do not know where Ballymulligan is, and never knew anybody who did. Once I asked the Mulligan the question, when that chieftain assumed a look of dignity so ferocious, and spoke of "Saxon curiawsitee" in a tone of such evident displeasure, that, as after all it can matter very little to me whereabouts lies the Celtic principality in question, I have never pressed the inquiry any farther. I... more...

THE CHRONICLE OF THE DRUM. PART I. At Paris, hard by the Maine barriers,Whoever will choose to repair,Midst a dozen of wooden-legged warriorsMay haply fall in with old Pierre.On the sunshiny bench of a tavernHe sits and he prates of old wars,And moistens his pipe of tobaccoWith a drink that is named after Mars. The beer makes his tongue run the quicker,And as long as his tap never fails,Thus over his... more...