William Archer

LETTER I The Straits of New York—When is a Ship not a Ship?—Nationality of Passengers—A Dream Realized. R.M.S. Lucania. The Atlantic Ocean is geographically a misnomer, socially and politically a dwindling superstition. That is the chief lesson one learns—and one has barely time to take it in—between Queenstown and Sandy Hook. Ocean forsooth! this little belt of blue water that we cross... more...

INTRODUCTION* Exactly a year after the production of Lady Inger of Ostrat—that is to say on the "Foundation Day" of the Bergen Theatre, January 2, 1866—The Feast at Solhoug was produced. The poet himself has written its history in full in the Preface to the second edition. The only comment that need be made upon his rejoinder to his critics has been made, with perfect fairness as it seems... more...

THE GREAT ADVENTURER When it was known that Mr. H. G. Wells had set forth to discover God, all amateurs of intellectual adventure were filled with pleasurable excitement and anticipation. For is not Mr. Wells the great Adventurer of latter-day literature? No quest is too perilous for him, no forlorn-hope too daring. He led the first explorers to the moon. He it was who lured the Martians to earth and... more...

INTRODUCTION. From Pillars of Society to John Gabriel Borkman, Ibsen's plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon Ghosts reduced to a single year the interval between that play and An Enemy of the People. John Gabriel Borkman having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no... more...

INTRODUCTION.* The anecdotic history of John Gabriel Borkman is even scantier than that of Little Eyolf. It is true that two mentions of it occur in Ibsen's letters, but they throw no light whatever upon its spiritual antecedents. Writing to George Brandes from Christiania, on April 24, 1896, Ibsen says: "In your last letter you make the suggestion that I should visit London. If I knew enough... more...

CHAPTER I INTRODUCTORY There are no rules for writing a play. It is easy, indeed, to lay down negative recommendations--to instruct the beginner how not to do it. But most of these "don'ts" are rather obvious; and those which are not obvious are apt to be questionable. It is certain, for instance, that if you want your play to be acted, anywhere else than in China, you must not plan it in... more...

ACT FIRST. [A spacious garden-room, with one door to the left, and two doors to the right. In the middle of the room a round table, with chairs about it. On the table lie books, periodicals, and newspapers. In the foreground to the left a window, and by it a small sofa, with a worktable in front of it. In the background, the room is continued into a somewhat narrower conservatory, the walls of which... more...

INTRODUCTION. In June, 1867, about a hundred enthusiastic youths were vociferously celebrating the attainment of the baccalaureate degree at the University of Norway. The orator on this occasion was a tall, handsome, distinguished-looking young man named Alexander Kielland, from the little coast-town of Stavanger. There was none of the crudity of a provincial dither in his manners or his appearance. He... more...

INTRODUCTION In accordance with classic precedent, this anthology ought to have consisted of "1,001 Gems of German Thought," I have been content with half that number, not—heaven knows!—for any lack of material, but simply for lack of time and energy to make the ingathering. After all, enough is as good as a feast, and I think that the evidence as to the dominant characteristics of German... more...

From Munich, on June 29, 1890, Ibsen wrote to the Swedish poet, Count Carl Soilsky: "Our intention has all along been to spend the summer in the Tyrol again. But circumstances are against our doing so. I am at present engaged upon a new dramatic work, which for several reasons has made very slow progress, and I do not leave Munich until I can take with me the completed first draft. There is little... more...