FIRST SCENE At Sea. The night had come to an end. The new-born day waited for its quickening light in the silence that is never known on land—the silence before sunrise, in a calm at sea. Not a breath came from the dead air. Not a ripple stirred on the motionless water. Nothing changed but the softly-growing light; nothing moved but the lazy mist, curling up to meet the sun, its master, on the... more...

Let me begin by informing you, that this new novel does not present the proposed sequel to my last work of fiction—"The Fallen Leaves." The first part of that story has, through circumstances connected with the various forms of publications adopted thus far, addressed itself to a comparatively limited class of readers in England. When the book is finally reprinted in its cheapest form—then,... more...

I. PREFACE TO READERS IN GENERAL You are the children of Old Mother England, on both sides of the Atlantic; you form the majority of buyers and borrowers of novels; and you judge of works of fiction by certain inbred preferences, which but slightly influence the other great public of readers on the continent of Europe. The two qualities in fiction which hold the highest rank in your estimation are:... more...

THE STORY BEGUN BY WALTER HARTRIGHT (of Clement's Inn, Teacher of Drawing) This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve. If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events... more...

CHAPTER I. OURSELVES. WE were three quiet, lonely old men, and SHE was a lively, handsome young woman, and we were at our wits' end what to do with her. A word about ourselves, first of all—a necessary word, to explain the singular situation of our fair young guest. We are three brothers; and we live in a barbarous, dismal old house called The Glen Tower. Our place of abode stands in a hilly,... more...

OPENING CHAPTER. A CHILD'S SUNDAY. At a quarter to one o'clock, on a wet Sunday afternoon, in November 1837, Samuel Snoxell, page to Mr. Zachary Thorpe, of Baregrove Square, London, left the area gate with three umbrellas under his arm, to meet his master and mistress at the church door, on the conclusion of morning service. Snoxell had been specially directed by the housemaid to distribute... more...

CHAPTER I FOR reasons of my own, I excused myself from accompanying my stepmother to a dinner-party given in our neighborhood. In my present humor, I preferred being alone—and, as a means of getting through my idle time, I was quite content to be occupied in catching insects. Provided with a brush and a mixture of rum and treacle, I went into Fordwitch Wood to set the snare, familiar to hunters of... more...

PROLOGUE. It was the opening of the season of eighteen hundred and thirty-two, at the Baths of Wildbad. The evening shadows were beginning to gather over the quiet little German town, and the diligence was expected every minute. Before the door of the principal inn, waiting the arrival of the first visitors of the year, were assembled the three notable personages of Wildbad, accompanied by their... more...

I visited Cornwall, for the first time, in the summer and autumn of 1850; and in the winter of the same year, I wrote this book. At that time, the title attached to these pages was strictly descriptive of the state of the county, when my companion and I walked through it. But when, little more than a year afterwards, a second edition of this volume was called for, the all-conquering railway had invaded... more...

Chapter 1. The date is between twenty and thirty years ago. The place is an English sea-port. The time is night. And the business of the moment is—dancing. The Mayor and Corporation of the town are giving a grand ball, in celebration of the departure of an Arctic expedition from their port. The ships of the expedition are two in number—the Wanderer and the Sea-mew. They are to sail (in search of... more...