'ARRY ON WHEELS.Our 'Arry Laureate.DEAR CHARLIE,—Spring's on us at last, and a proper old April we've 'ad, Though the cold snap as copped us at Easter made 'oliday makers feel mad. Rum cove that old Clerk o' the Weather; seems somehow to take a delight In mucking Bank 'Oliday biz; seems as though it was out of sheer spite. When we're fast with our nose to... more...

No. IX.—THE DUFFER DEER-STALKING. I am in favour of Mr. BRYCE's Access to Mountains Bill, and of Crofters who may be ambitious to cultivate the fertile slopes of all the Bens in Scotland. In fact, I am in favour of anything that will, or may, interfere with the tedious toil of Deer-stalking. Mr. BRYCE's Bill, I am afraid, will do no good. People want Access to Mountains when they cannot get... more...

THE MODERN ALEXANDER'S FEAST OR, THE POWER OF SOUND. (An Ode for the Brandenburg Diet Day; a long way after Dryden.)["At the banquet of the Diet of Brandenburg, the GERMAN EMPEROR said:—'The assured knowledge that your sympathy loyally attends me in my work, inspires me with fresh strength to persevere in my task, and to advance along the path marked out for me by Heaven. To this are... more...

VENICE RESERVED. (A Sketch from a Numbered Stall at Olympia.) On the Stage, the Scene represents "A Public Place before the Arsenal," where a number of artisans are apparently busily engaged in making horse-shoes on cold anvils in preparation for the launch of "The Adriatica." On extreme R. enter Antonio, who expresses commercial embarrassment by going through a sort of dumb-bell... more...

A DAY AT ANTWERP. (By the "Vacuus Viator.") In the Place Verte.—"The traveller," according to Bædeker, "should at once direct his steps to the Cathedral." Not going to be bullied by Bædeker! Shall assert my independence by directing steps somewhere else first. Carillon tinkling fitfully up in tower. Like an elderly ghost with failing memory, trying to play every tune she... more...

THE COURIER OF THE HAGUE. (By the "Vacuus Viator.") He is an elderly amiable little Dutchman in a soft felt hat; his name is BOSCH, and he is taking me about. Why I engaged him I don't quite know—unless from a general sense of helplessness in Holland, and a craving for any kind of companionship. Now I have got him, I feel rather more helpless than ever—a sort of composite of Sandford... more...

ON A NEW YEARLING. (Second Week.)Second Week. Little 1892 grows rapidly, and begins to look about him.My fire was low; my bills were high; My sip of punch was in its ladle; The clarion chimes were in the sky; The nascent year was in its cradle. In sober prose to tell my tale, 'Twas New Year's E'en, when, blind to danger, All older-fashioned nurses hail With joy "another little... more...

OPERATIC NOTES.Ancient Brass-Work, in memory of Wagner the Great Worker in Brass. Wednesday.—WAGNER. Vainly the Daughters of the River, representing the floating capital of the Banks of the Rhine, cry "Woa! Woa!" The orchestra, under the direction of Herr MAHLER, takes no notice of them, but goes on Wagnerianly, inexorably. Thus swimmingly we reach Walhall—where the fire-god Loge has a... more...

LOST LUGGAGE. (Or the Experiences of a "Vacuus Viator.") At the Douane, Ostend.—Just off Princesse Henriette; passengers hovering about excitedly with bunches of keys, waiting for their luggage to be brought ashore. Why can't they take things quietly—like me? I don't worry. Saw my portmanteau and bag labelled at Victoria. Sure to turn up in due time. Some men when they travel... more...

"VERSAILLES" IN LEICESTER SQUARE. (Or, the New Ballet at the Empire, as it appears through Mr. Punch's Pince-nez.) TABLEAU I.—The Park at Versailles. "Gardeners," according to the "Argument" supplied with programmes, "are seen busily preparing for the arrival of King Louis the Fourteenth and his Court." If tickling the gravel gently with brooms, and depositing one... more...