Upton Sinclair

Upton Sinclair
Upton Sinclair (1878-1968) was an American writer and social reformer, best known for his novel "The Jungle," which exposed the harsh conditions and unsanitary practices in the U.S. meatpacking industry. His work prompted public outcry and led to significant reforms in food safety laws, including the Pure Food and Drug Act and the Meat Inspection Act in 1906. Sinclair's prolific career included nearly 100 books, through which he championed social justice, labor rights, and political reform.

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CHAPTER I "Samuel," said old Ephraim, "Seek, and ye shall find." He had written these words upon the little picture of Samuel's mother, which hung in that corner of the old attic which served as the boy's bedroom; and so Samuel grew up with the knowledge that he, too, was one of the Seekers. Just what he was to seek, and just how he was to seek it, were matters of... more...

PART I WRITING A POEM The book! The book! This day, Saturday, the sixth day of April, 1901, I begin the book! I have never kept a journal—I have been too busy living; but to-day I begin a journal. I am so built that I can do but one thing at a time. Now that I have begun The Captive, I must be haunted with it all day; when I am not writing it I must be dreaming it, or restless because I am not.... more...

INTRODUCTORY Bootstrap-lifting Bootstrap-lifting? says the reader. It is a vision I have seen: upon a vast plain, men and women are gathered in dense throngs, crouched in uncomfortable and distressing positions, their fingers hooked in the straps of their boots. They are engaged in lifting themselves; tugging and straining until they grow red in the face, exhausted. The perspiration streams from their... more...

CHAPTER I "Return at ten-thirty," the General said to his chauffeur, and then they entered the corridor of the hotel. Montague gazed about him, and found himself trembling just a little with anticipation. It was not the magnificence of the place. The quiet uptown hotel would have seemed magnificent to him, fresh as he was from the country; but, he did not see the marble columns and the gilded... more...

  "If chance will have me king, why chance may crown me,    Without my stir." Most of the people whom Helen met upon her arrival were of her own sex, so that she did not feel called upon to make special exertions to please them; but she was naturally cheerful and happy with everyone, and the other matters of which Mrs. Roberts had talked took on such vast proportions before her mind that... more...

It was in a little woodland glen, with a streamlet tumbling through it. She sat with her back to a snowy birch-tree, gazing into the eddies of a pool below; and he lay beside her, upon the soft, mossy ground, reading out of a book of poems. Images of joy were passing before them; and there came four lines with a picture—    "Hard by, a cottage-chimney smokes,    From betwixt two aged... more...

BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the... more...

Chapter 1 It was four o'clock when the ceremony was over and the carriages began to arrive. There had been a crowd following all the way, owing to the exuberance of Marija Berczynskas. The occasion rested heavily upon Marija's broad shoulders—it was her task to see that all things went in due form, and after the best home traditions; and, flying wildly hither and thither, bowling every one... more...

CHAPTER I "I am," said Reggie Mann, "quite beside myself to meet this LucyDupree." "Who told you about her?" asked Allan Montague. "Ollie's been telling everybody about her," said Reggie. "It sounds really wonderful. But I fear he must have exaggerated." "People seem to develop a tendency to exaggeration," said Montague, "when they talk about... more...

ACT I [JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and... more...

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