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Upton Sinclair
Upton Sinclair (1878-1968) was an American writer and social reformer, best known for his novel "The Jungle," which exposed the harsh conditions and unsanitary practices in the U.S. meatpacking industry. His work prompted public outcry and led to significant reforms in food safety laws, including the Pure Food and Drug Act and the Meat Inspection Act in 1906. Sinclair's prolific career included nearly 100 books, through which he championed social justice, labor rights, and political reform.
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Upton Sinclair
PART I WRITING A POEM The book! The book! This day, Saturday, the sixth day of April, 1901, I begin the book! I have never kept a journal—I have been too busy living; but to-day I begin a journal. I am so built that I can do but one thing at a time. Now that I have begun The Captive, I must be haunted with it all day; when I am not writing it I must be dreaming it, or restless because I am not....
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Upton Sinclair
INTRODUCTORY Bootstrap-lifting Bootstrap-lifting? says the reader. It is a vision I have seen: upon a vast plain, men and women are gathered in dense throngs, crouched in uncomfortable and distressing positions, their fingers hooked in the straps of their boots. They are engaged in lifting themselves; tugging and straining until they grow red in the face, exhausted. The perspiration streams from their...
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Upton Sinclair
CHAPTER I "Return at ten-thirty," the General said to his chauffeur, and then they entered the corridor of the hotel. Montague gazed about him, and found himself trembling just a little with anticipation. It was not the magnificence of the place. The quiet uptown hotel would have seemed magnificent to him, fresh as he was from the country; but, he did not see the marble columns and the gilded...
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Upton Sinclair
"If chance will have me king, why chance may crown me, Without my stir." Most of the people whom Helen met upon her arrival were of her own sex, so that she did not feel called upon to make special exertions to please them; but she was naturally cheerful and happy with everyone, and the other matters of which Mrs. Roberts had talked took on such vast proportions before her mind that...
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Upton Sinclair
It was in a little woodland glen, with a streamlet tumbling through it. She sat with her back to a snowy birch-tree, gazing into the eddies of a pool below; and he lay beside her, upon the soft, mossy ground, reading out of a book of poems. Images of joy were passing before them; and there came four lines with a picture— "Hard by, a cottage-chimney smokes, From betwixt two aged...
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Upton Sinclair
BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the...
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Upton Sinclair
Chapter 1 It was four o'clock when the ceremony was over and the carriages began to arrive. There had been a crowd following all the way, owing to the exuberance of Marija Berczynskas. The occasion rested heavily upon Marija's broad shoulders—it was her task to see that all things went in due form, and after the best home traditions; and, flying wildly hither and thither, bowling every one...
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Upton Sinclair
CHAPTER I "I am," said Reggie Mann, "quite beside myself to meet this LucyDupree." "Who told you about her?" asked Allan Montague. "Ollie's been telling everybody about her," said Reggie. "It sounds really wonderful. But I fear he must have exaggerated." "People seem to develop a tendency to exaggeration," said Montague, "when they talk about...
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Upton Sinclair
The scenes of the Play-play change with each act. For Act I the set is a drawing-room in a wealthy old New York home, entrances Right-center and Left. Both front and rear scenes are lighted by many small lights, which can be turned off a few at a time, so that one scene or the other fades slowly. When the Real-play is in full light, the Play-play is dark and invisible. When the front scene is entirely...
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Upton Sinclair
THE NATUREWOMAN ACT I [Scene shows a luxuriously furnished drawing-room. Double doors, centre, opening to hall and stairway. Grand piano at right, fireplace next to it, with large easy-chair in front. Centre table; windows left, and chairs.] [At rise: ETHEL standing by table; a beautiful but rather frail girl of sixteen; opening a package containing photograph in frame.] ETHEL. Oceana! Oceana! [She...
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